Chinese Vase
Chinese Vase
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Blue & White 15th Century Ming Dynasty Chenghua Mark & Period Jar (WORLD CLASS)

This is a Fabulous Masterpiece, Blue & White Ming Dynasty Chenghua Mark & Period Imperial Buddhist Lion Jar. This Jar measures approx. 5 1/8 inches Tall. Chenghua period was from 1465 - 1487. This Jar represents why Chenghua wares are so sought after.This Jar has it all,it's very delicate and a brilliantly executed masterpiece. This is one of those pieces you have to see first hand to appreciated the skill and control it took to paint this Jar way back in the Ming Dynasty.Check your auction catalogs, books, and look in museums, online you won't find a better Chenghua Jar published anywhere. The Jar has very exquisite form, great color and is painted with extremely controlled loose freestyle strokes some looks to have used only a few strands of hair brushes, just wonderful details that the very finest Chenghua wares are known for. The Jar is painted with four Buddhist Lions, and Buddhist symbols.This Jar you can see flaking in the biscuit when looking through a loop, this is a clear indication of it's great age.The Glazed base looks wavy this is typical in Chenghua wares. These blue and white wares are the most sought after blue and white wares that China ever produced. The beautiful cobalt used during this period makes them very easy to distinguish from other periods of Chinese blue and white wares. They have a distinct blackish tone from the imported cobalt that they used during that period and when the heaping and piling effect breaks the surface of the glaze it shows a silvery reflection, the imported cobalt called Samali blue they believe came from Persia and they don't know where in Persia. They have not imported this cobalt for over 500 years. During the Chenghua period they also used a local cobalt called Pitang. The imported cobalt was known to run and they would stabilize it by mixing them together. Depending on the mix it would give very refined colors. In Chenghua wares they painted fine outlines and filled them in with a broad brush using loose free style strokes. They refined the clay better than any previous period and with their high firing kilns this often caused them to look burnt or mottled on the bottom in many vessels that have unglazed bottoms. And bottoms that are glazed often look wavy this can be seen when the light reflects on the glaze. This glaze is easy to distinguish it is very fine, and has tiny even bubbles this can be seen using a loop. It doesn't get better than true Imperial blue and white Chenghua wares. (click image to enlarge)

Northern Song Dynasty Ru-ware hoard Email me.    Cherry Hill NJ 08003"

"Everything on the site is for sale the pieces that are marked (WORLD CLASS) are the real masterpieces of the collection contact us"

"If your a high end collector this web site may help you understand that your being ripped off and swindled by the corrupt auction houses and their crony dealer network right here in America."

They withhold the finest pieces from the open market. and no one knows how to evaluate their pieces because what you see in the auction results are mostly junk pieces not what is truly available in the market place.
They have lied so much about the true capabilities of the Chinese artisans in every period. And they only want to do business with the victims that have put their trust in them and they're robbing them blind. You must study and know what you are looking at and stop listening to these liars that are telling you all these cock & bull stories about Chinese art. There is a lot of good people that are caught up in their unwritten policies that they have in place and are to afraid to speak up. You must search out the finest pieces, just do the math during the Song Dynasty the population was 100,000,000 in China if just a half of one percent could afford the finest pieces that's a lot of Jade and porcelain made in the Song dynasty. this is why it is imperative that you collect the best possible pieces. You must demand they stop their corrupt policies and start offering the finest pieces on the open market so you will know where your collection fits in the real market place. They must open the market to everyone and stop the discrimination because the way they set this up you can't win because only they know what is really in the market place.  



I will sit down with any expert or scholar in the world to examine my N Song Dynasty Ru Ware first hand. They're afraid to go against Sotheby's because they sold that flawed Ru Kiln piece of junk for 27,000,000.

"Check my hoard of the finest and most important collectible ceramics China ever produced Official Imperial Northern Song Dynasty Ru-Ware"

The Ru ware that the National Palace Museum has in there collection are pieces that the Qianlong Emperor wrote poems on and these wares are not the Tribute or Imperial Ru ware that the Song Dynasty Emperor Huizong was receiving from the Ru Kiln. The Ru wares that are in Museums around the world are merchant class wares, not Imperial Tribute or Official Imperial wares. I have also offered donations by email to the British Museum, Philadelphia art Museum, The Cleveland Museum, The Smithsonian Sackler Freer Museum, Metropolitain Museum, etc. and they all didn't answer my email. This is part of the cover-up of  Sotheby's sale of the Ru brush washer in Hong Kong April 2012 for $27,000,000. I can prove it is not an Imperial piece and they should return the money and acknowledge what I have shown them all about Ru Wares. Right now their all trying to cover-up the truth about Ru wares. Because the bigger truth is that they're ripping off collectors for billions of dollars by not offering the finest pieces at their auctions and private sales. Major Museums and Universities are the puppets of the auction houses they'll not tell the truth they do whatever the auctions house want them to do. As one example even to the point of withholding the historic truth of the Song Dynasties Emperor Huizong and the Ru Kiln. They have no integrity and sit by and watch collectors being swindled out of their money and do nothing to stop this theft of billions of dollars from unsupecting collectors around the world. And these phony curators worry about their positions being lost. What you see being sold at auction is only a fraction of what is being sold and most of the pieces are junk. One way to stop them is stop buying the junk their offering you.  

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