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Northern Song Dynasty Celadon Glaze Imperial Ru-Ware Tribute Flanged Beaker Vase (WORLD CLASS)

Extremely fine exquisitely potted N. Song Dynasty Ru-ware celadon glaze Flanged Beaker Vase. This Flanged Beaker Vase is a tribute piece made during the final development of the Famed Celadon Ru-Kiln Glaze that was made exclusively for the Chinese Court use. This Ru- Ware Flanged Beaker Vase was made as a tribute to the Chinese Court, the Flanged Beaker Vase has a gold bands around the rim and base and has a very encrusted layered reddish cuprite and greenish malachite patina that confirms its great age and this is more reliable than a TL test.. The Flanged beaker Vase has bluish grayish glaze with a greenish hue and very fine crackle, also the Glaze has a smooth texture and has luminous qualities, but is not as luminous as, the Ru Kiln Celadon Glaze that was developed and used on the finest Ru-ware of the Chinese Court Fame. The Flanged Beaker Vase bottom has five tiny sesame seed size spur marks. The Flanged Beaker Vase measures approx. 6 1/4" tall. This piece is from a surviving hoard of N. Song Imperial Ru Ware!!! ppjrs

Here is easy to understand proof that these pieces are completely authentic.

The gilded bands that are around the rims and bases are gilded over copper or bronze and clearly show Cuprite underneath the Malachite when using a loop, and this takes many centuries to form, especially when the bronze has been Fire gilded as all the bands have been on these pieces. These pieces are approximately nine hundred years old and developed this corrosion which clearly proves there great age and this is impossible to reproduce. This was written about on the asian art forum speaking about archaic bronzes.


(The first corrosion substance on old bronze is CUPRITE, an ox blood color mineral. 


On cuprite will grow the second form of corrosion, Malachite, a green color crystal/mineral. 


On malachite will grow the 3rd form of corrosion, Azurite, the nice blue crystal/mineral. 


To see if your piece is genuine, it is very simple & impossible to reproduce: 


If you scratch the azurite, you must find some Malachite underneath. 


And if you scratch that layer of malachite, you MUST find cuprite. 


Azurite cannot grow on it's own, it needs malachite. 


And Malachite needs the cuprite to grow on it. 


There are no exception to that rule, if your piece is made of bronze,) 


Bronze is an alloy consisting mainly of copper.


During the first Emperors reign the Ru-kiln was selling wares to the public and offering tribute wares to the Emperor and his court. The tribute wares are surely the wares with the fire gilded bands. The pieces in the British museum are questionable most have firing flaws and they would have surely been sold to the public. The British museum also believes all Ru ware used crushed Agate stone in there mix, this is not true during the first Emperors reign. The Ru Kiln only used crushed agate during the second Emperors reign, when he requested them to make wares for only him and his court. These Celadon wares were exclusively made for the Emperor and his court and clearly show the texture in the glaze from the crushed agate stone. The only true Ru Yao wares that were commissioned by the second Emperor Huizong are the Celadon Wares with the agate stone in the glaze with the unglazed foot rings. All the other Ru ware pieces are either tribute wares, prototypes, wares sold to wealthy merchants, or flawed pieces that were sold to the population.




Northern Song Dynasty Ru-ware hoard Email me.    Cherry Hill NJ 08003"

"Everything on the site is for sale the pieces that are marked (WORLD CLASS) are the real masterpieces of the collection contact us"

"If your a high end collector this web site may help you understand that your being ripped off and swindled by the corrupt auction houses and their crony dealer network right here in America."

They withhold the finest pieces from the open market. and no one knows how to evaluate their pieces because what you see in the auction results are mostly junk pieces not what is truly available in the market place.
They have lied so much about the true capabilities of the Chinese artisans in every period. And they only want to do business with the victims that have put their trust in them and they're robbing them blind. You must study and know what you are looking at and stop listening to these liars that are telling you all these cock & bull stories about Chinese art. There is a lot of good people that are caught up in their unwritten policies that they have in place and are to afraid to speak up. You must search out the finest pieces, just do the math during the Song Dynasty the population was 100,000,000 in China if just a half of one percent could afford the finest pieces that's a lot of Jade and porcelain made in the Song dynasty. this is why it is imperative that you collect the best possible pieces. You must demand they stop their corrupt policies and start offering the finest pieces on the open market so you will know where your collection fits in the real market place. They must open the market to everyone and stop the discrimination because the way they set this up you can't win because only they know what is really in the market place.  



I will sit down with any expert or scholar in the world to examine my N Song Dynasty Ru Ware first hand. They're afraid to go against Sotheby's because they sold that flawed Ru Kiln piece of junk for 27,000,000.

"Check my hoard of the finest and most important collectible ceramics China ever produced Official Imperial Northern Song Dynasty Ru-Ware"

The Ru ware that the National Palace Museum has in there collection are pieces that the Qianlong Emperor wrote poems on and these wares are not the Tribute or Imperial Ru ware that the Song Dynasty Emperor Huizong was receiving from the Ru Kiln. The Ru wares that are in Museums around the world are merchant class wares, not Imperial Tribute or Official Imperial wares. I have also offered donations by email to the British Museum, Philadelphia art Museum, The Cleveland Museum, The Smithsonian Sackler Freer Museum, Metropolitain Museum, etc. and they all didn't answer my email. This is part of the cover-up of  Sotheby's sale of the Ru brush washer in Hong Kong April 2012 for $27,000,000. I can prove it is not an Imperial piece and they should return the money and acknowledge what I have shown them all about Ru Wares. Right now their all trying to cover-up the truth about Ru wares. Because the bigger truth is that they're ripping off collectors for billions of dollars by not offering the finest pieces at their auctions and private sales. Major Museums and Universities are the puppets of the auction houses they'll not tell the truth they do whatever the auctions house want them to do. As one example even to the point of withholding the historic truth of the Song Dynasties Emperor Huizong and the Ru Kiln. They have no integrity and sit by and watch collectors being swindled out of their money and do nothing to stop this theft of billions of dollars from unsupecting collectors around the world. And these phony curators worry about their positions being lost. What you see being sold at auction is only a fraction of what is being sold and most of the pieces are junk. One way to stop them is stop buying the junk their offering you.  

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