sixdynastiesjade

六朝玉器

中国名作

六朝玉兽

六朝全渗玉立马

Joseph.Sharon@chinesemasterpieces.com

这件精雕细琢的中国古董六朝全渗透玉雕立马雕像。玉石材料很好，有埋葬时产生的内含物，这些内含物已完全渗透到玉石中，呈棕色，雕刻风格清楚地证明了它的年代久远。这匹马非常形态均衡，细节精致。

雕像长约 4 5/8 英寸

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六朝灰白玉起马像

Joseph.Sharon@chinesemasterpieces.com

这件中国艺术品是一尊雕刻精美的浅灰色，略带绿色的中国古董六朝玉雕马上升雕像。雕像形状均衡，玉石材质细腻透明，带有大量棕色河流和脉络内含物，雕刻风格显示了它的年龄。雕像长约 4 1/8 英寸

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六朝灰白玉马与猴

Joseph.Sharon@chinesemasterpieces.com

精雕细琢的六朝灰白玉马与猴子雕像，带有大量赤褐色

内含物和雕刻风格证实了它的年龄。长度约为 4 1/2 英寸

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六朝灰白玉卧马像

Joseph.Sharon@chinesemasterpieces.com

精雕细琢的六朝灰白玉卧马雕像，大面积的褐色和云纹区域以及雕刻风格证实了它的年代。长度约为 5 英寸

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六朝青釉玉卧马像

Joseph.Sharon@chinesemasterpieces.com

六朝青瓷玉卧马像，纹饰以大片褐河和云雾

内含物证实了它的年龄。长度约为 4 1/2 英寸

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六朝青釉玉卧羊纹

Joseph.Sharon@chinesemasterpieces.com

精雕细琢的六朝青瓷玉卧羊与骑士雕像，表面有大量赤褐色

内含物和雕刻风格证实了它的年龄。长度约为 5 英寸

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Six Dynasties Celadon Jade Mythical Animal Statue

Joseph.Sharon@chinesemasterpieces.com

精雕细琢的六朝青瓷玉神兽雕像，带有褐色钙化区域

和雕刻风格证实了它的年代。长度约为 4 1/2 英寸

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六朝灰绿玉卧羊配婴像

Joseph.Sharon@chinesemasterpieces.com

Six Dynasties Grayish Greenish Jade Resting Ram with Baby Statue, that has extensive brown inclusions

that confirm its age. Measure approx. 3 1/4" length.

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Six Dynasties Grayish Greenish Jade Twisted Mythical Animal Statue

Joseph.Sharon@chinesemasterpieces.com

Finely carved Six Dynasties Grayish Greenish Jade twisted Mythical Animal Statue, that has areas of

brown and russet inclusions and carving style confirms its age. Measures approx. 4 1/2" length.

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六朝灰绿玉卧鹿鸟像

Joseph.Sharon@chinesemasterpieces.com

六朝灰绿玉卧鹿鸟像，有褐色区域

内含物和雕刻风格证实了它的年代。长度约为 3 英寸。

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六朝灰绿玉坐犬像

Joseph.Sharon@chinesemasterpieces.com

精雕细琢的六朝灰绿玉坐猎犬雕像，表面有大量褐色

内含物和雕刻风格证实了其年代。长度约为 2 3/4 英寸

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Six Dynasties White Jade Resting Horse Statue

Joseph.Sharon@chinesemasterpieces.com

这尊精雕细琢的中国古董六朝白玉卧马雕像。玉料呈细腻的白色，有大量的赤褐色内含物，这是由于埋葬和雕刻风格所致，这清楚地证实了它的年代。马头向后转，两条腿蜷缩在身下，女性生殖器的细节。马很好

雕刻精美。雕像长约 4 5/8 英寸

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Six Dynasties White Onion Jade Horse With Rider Statue

Joseph.Sharon@chinesemasterpieces.c奥姆

精美的六朝白洋葱玉马与骑士雕像，颜色为赤褐色和云纹

内含物和雕刻风格证实了它的年龄。长度约为 4 3/4 英寸

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六朝白玉卧马与猴子雕像

Joseph.Sharon@chinesemasterpieces.com

Finely carved Six Dynasties White Jade Horse with with three monkeys statue, that has areas of

clouding inclusions and carving style confirms its age. Measures approx. 3 1/2" length.

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浏览中国名作网站只需选择以下页面

100% 正宗北宋官窑瓷器收藏品

世界上没有比这更能证明其真实性的收藏品了

I started collecting in the 70s and in the 90s I began to put together a very fine collection from private Chinese sources that risk severe persecution just owning their collections that were passed down by their ancestors that were in power long before the Communist. This Is The Official Commissioned Imperial Royal Ru Kiln Collection From The Northern Song Dynasty Emperor Huizong's Collection

They're part of the hoard of 300+ unique pieces from the Collection of

Emperor Huizong of N.Song Dynasty. There is nothing in the world that can compare to the importance of this collection, many of these forms have never been seen before, the condition of this collection is exquisite. It's 100% authentic and easy to prove because of the cuprite and malachite corrosion that took about 900 years to develop on the fire gilded copper bands and everyone can see this easily with your own eyes, also the crushed agate in the glaze that can be seen with a 20x loupe. Ru ware is all over the internet and the auction houses are still telling people that they're all fakes, this is just more lies. Only Commissioned Official Royal Imperial Ru wares are Rare and they're not all over the internet and no Royal Imperial Ru wares have ever been sold at any auctions. If anyone has any doubt it would be totally impossible for any Kiln in China today to produce over 300+ wares such as these masterpieces! There's only one Kiln in the history of China that could achieve this, that was Royal Ru Kiln of the Northern Song Dynasty and Emperor Huizong. These 2nd commissioned wares the foot rings are unglazed and they were fired flat in the kiln, and this Cong Vase shown below has fire gilded over copper bands that are corroded with cuprite and malachite. It's 100% authentic and easy to prove because of the cuprite and malachite corrosion that took about 900 years to develop on the fire gilded copper bands and everyone can see this easily with your own eyes also the crushed agate in the glaze can be seen with a 20x loupe! You don't have to be an expert to understand this. All 2nd commissioned wares are not marked. The 2nd commissioned wares have an off white biscuit that turns brownish after firing, the wares have a very rich beautiful smooth glaze without any crackle, extremely rare wares have fire gilded over copper bands, This Cong Vase is the finest Vase from the hoard of Chinese Emperor Huizong Of The Northern Song Dynasty 1082 to 1135 Collection.

LOOK AND READ CAREFULLY BELOW

Below is a row of closeups photos to show you the Cuprite and Malachite corrosion on the RU WARE Copper Fire gilded Bands. (Fire gilding with gold and mercury, the mercury metal being driven off afterward by fire. This type of gilding hasn't been used since the mid 1800 because it is very dangerous)This patina took about 900 years to develop on these bands and this can't be faked. (From the book Copper and bronze in art by David Scott) (chapter 3 page 106 Malachite in bronze patinas) (The natural transition of metal to cuprite to malachite is very difficult to replicate in the laboratory. In fact, most of the recipes for producing artificial green patinas on copper alloys, such as those compiled by Hughes and Rowe (1982), do not result in malachite formation over a cuprite layer. Consequently, the existence of this type of corrosion, supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.) Also microscopic photos of the RU WARE glaze which you can see the tiny reflective specs of crushed agate that was used in the glaze. The reflective agate specs can also be seen when using a 20x loupe, only Commissioned Imperial Ru Wares have crushed agate in the glaze. The pieces that have been sold by the corrupt Auction companies will not show crush agate in there glaze because they never used agate in Merchant wares. Only Official Commissioned Royal Imperial Ru wares used Rare Blue Crushed Agate in the glaze. The finest Merchant wares have fire gilded copper bands these were given as tribute to the Emperor. Most Merchant wares were sold to the wealthy merchants. The Merchant pieces that were flawed were sold very cheap to the population and Merchant wares that were extremely flawed were destroyed. When Emperor Huizong commissioned the Ru Kiln, he worked with the Ru kiln to setup the site and designed wares for himself and his court and made them his official Royal Kiln. He wanted them to use Rare Blue Agate in the glaze in all his Commissioned wares. The Commissioned wares are generally larger then what the Ru Kiln had been producing, also they have there own distinct styles, forms, and glazes that many have not been seen even until today. They have found the Ru kiln site where they made the Merchant wares before Emperor Huizong commissioned them.

They haven't found Emperor Huizong's Official Royal Ru kiln site yet.

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以下是 48 件官窑汝瓷和汝瓷贡瓶

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了解“葡萄状孔雀石”铜绿

扇形晶针的形成
大多数晶体只是利用可用的分子开始生长。这会产生离散晶体，其大小取决于可用的材料。但孔雀石不同。它很少形成大小合适的离散晶体。相反，科学家说，正在形成的孔雀石晶体会“分裂”，分叉成细小的针状物，并聚集成扇形。
扇形孔雀石针状物会长成紧密结合的小球，这些小球会聚集在一起并结合在一起，形成一个固体块。当小球停止生长并终止时，顶面会变圆到一定程度。术语“葡萄状”（类似于一串葡萄）和“肾形”（肾形）用于描述大到小的起伏小球块。

作者鲍勃·琼斯 (Bob Jones) 曾获得卡内基矿物学奖，是 Rockhound 名人堂成员，自 Rock & Gem 创刊以来一直为其撰稿。他讲授矿物相关课程，并撰写过多本书籍和视频脚本。

Closely see the tiny round Botryoidal Malachite on the coin

This is a Microscopic photo of one of the Ru Ware Fire Gilded Copper Bands, shows the "Botryoidal Malachite Patina over the reddish Cuprite."This can not be Faked. (From the book Copper and bronze in art by David Scott) (chapter 3 page 106 Malachite in bronze patinas) (The natural transition of metal to cuprite to malachite is very difficult to replicate in the laboratory. In fact, most of the recipes for producing artificial green patinas on copper alloys, such as those compiled by Hughes and Rowe (1982), do not result in malachite formation over a cuprite layer. Consequently, the existence of this type of corrosion, supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.)

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WATCH

Click On Video Clip Proves Botryoidal Malachite Can't Be Faked! No one has ever faked this Botryoidal malachite patina only happens in nature. This Guaranties Authenticity Of This Imperial Royal Ru Ware Collection

无价的过去网址：pricelesspast.com

完整视频链接 https://youtu.be/5O-l6vY0dnc?si=FsHEJdKox0a1p0bH

Royal Imperial Ru Ware that Emperor Huizong of Song, Commissioned and Collected

During the Northern Song Dynasty Explained

Facts that were written about the Ru Kiln and Emperor Huizong in ancient writings that describe Royal Imperial Ru wares.

宋徽宗在位时间是 1100 年至 1126 年。宋徽宗将皇位传给了他的儿子。他以推广道教和诗歌、绘画、书法和音乐方面的才华而闻名。金军步步紧逼，最终占领了他的宋帝国，宋徽宗于 1127 年被俘，1135 年在囚禁中去世，从世界上最富有的人变成了一个穷困潦倒的人。他的大量藏品被收集起来，存放在大木箱中，流传了几个世纪。自 90 年代中国开放以来，许多旧藏品进入了市场。我的皇家汝瓷收藏来自宋徽宗的收藏。

徽宗统治期间，他决定委托汝窑为自己和朝廷烧制瓷器，因为汝窑给他的朝廷贡品是所有窑口中最精致的。进献给徽宗的汝窑朝廷贡品是当时汝窑制作的最好的瓷器，它们没有瑕疵，而且为了使它们显得特别，他们使用了几种颜色，并在口沿、有时也在底部添加了火镀金带。（火镀金是用金和水银进行的，随后用火将水银金属除去。自 19 世纪中期以来，这种镀金方式就不再使用，因为它非常危险）在口沿，有时也在底部。所有朝贡器的口沿和底部都有火镀金带，有时只在口沿有。这些带上有大面积的层状赤铜矿和孔雀石腐蚀，这种腐蚀只存在于自然界中，无法伪造。（摘自 David Scott 所著《艺术中的铜和青铜》一书）（第 3 章第 106 页青铜器上的孔雀石）金属到赤铜矿到孔雀石的自然转变很难在实验室。事实上，大多数在铜合金上产生人造绿色铜锈的配方，例如 Hughes 和 Rowe (1982) 编写的配方，都不会导致在赤铜矿层上形成孔雀石。因此，这种腐蚀的存在，得到了分析和金相研究的支持，是文物真实性的一个很好的迹象。这也引发了其他一些窑厂在其皇家进贡器物上添加火镀金带的现象。

在汝窑成为真正的皇帝御用官窑之前，他们生产的器物非常小，带有零星的裂纹，在高脚架上烧制，底部留下了马刺痕迹。这些器物的釉料中都没有碎玛瑙，而且这些器物往往有瑕疵。有严重瑕疵的器物被销毁，有严重烧制瑕疵的器物以非常便宜的价格卖给了民众，这些器物就是苏富比和佳士得拍卖的器物，经常在收藏有汝窑器的博物馆里找到。更好的器物卖给了富商，价格相当昂贵。最好的器物被作为贡品献给了徽宗皇帝，他一直从所有窑口收到这些华丽的器物。徽宗皇帝决定委托汝窑，使其成为中国第一个官窑，制作的瓷器将成为中国历史上第一批专供他自己和宫廷使用的官窑瓷器。他希望这些瓷器看起来与历史上的瓷器相似，必须是青瓷色，看起来像是用玉石雕刻而成，颜色与朝鲜的高丽瓷器相似。看到原型后，他不希望瓷器有马刺痕迹，他们开始在窑中平放烧制瓷器，并配以无釉的圈足。徽宗皇帝希望他们在釉料中使用罕见的蓝色碎玛瑙，碎玛瑙只用于徽宗皇帝开发的官窑汝瓷。第一批委托烧制的瓷器呈灰色，烧成后变成棕色，一些瓷器的底部有划痕，其中大多数是风华等痕迹，它们都有裂纹冰裂纹。罕见的蓝色碎玛瑙仅用于徽宗皇帝开发的官方汝窑瓷器。他希望这些瓷器比汝窑贡品更大，非常朴素，造型简单精致，通常使用喇叭形口，所有这些皇家御用瓷器仅供皇帝及其宫廷使用，无论烧制过程中是否出现任何瑕疵。

汝窑现已成为官方御窑，专门为皇帝和宫廷制作御用瓷器。尽管这些瓷器往往有瑕疵且过于简单，但徽宗皇帝却看到了真正的美，因为每件瓷器都有自己的特点，就像他看到的美一样。最终，他的一些御用顾问想要更精美的瓷器，于是徽宗皇帝决定让汝窑为自己和宫廷制作中国有史以来最精美的青瓷。徽宗委托制作的第二批官窑瓷器并不朴素，它们非常优雅、奢华、美丽，釉色非常丰富，是中国有史以来制作的最精美的青瓷。这些瓷器全都是青瓷色，色调各异，还在所有瓷器的釉料中加入了罕见的蓝色碎玛瑙。它们的青瓷釉质非常丰富，并含有罕见的蓝色碎玛瑙，釉面没有裂纹，但银带器皿有几条纹路，造型非常精美，圈足无釉，在窑中平烧，素坯呈灰白色，烧成后变为褐色，他们有时在一些特殊的器皿上在边缘和底部使用火镀金铜带，他们也只在使用最暗的青瓷釉的特殊器皿上在边缘使用银带，这些器皿有几条裂纹。所有第二次委托的官方皇家器皿都没有标记。

在成为官方皇家御窑之前生产的所有汝窑瓷器釉料中都没有玛瑙。所有拍卖行和博物馆都声称，他们记录的所有汝窑瓷器釉料中都使用了碎玛瑙，并说看不到玛瑙是因为它在烧制过程中融化了，这完全是错误的说法。他们记录的所有汝窑瓷器都不是徽宗皇帝委托汝窑为他和他的宫廷生产的官方御窑瓷器，都是有瑕疵的商窑瓷器。玛瑙的熔点为1600C至2600C度，而宋代窑炉温度最多只能达到1250C度，因此，认为粉碎的玛瑙会熔入釉中是谬论。商人从来不会在任何器皿中使用玛瑙，而且将玛瑙粉碎成完整的粉末也非常困难，这就是为什么在所有皇家御制的汝窑中，使用20倍或更高的放大镜都可以清楚地看到釉中的玛瑙痕迹。

我收藏了一批汝窑瓷器，这些瓷器自北宋灭亡后就被藏匿起来，乾隆皇帝没有能力收藏这些瓷器，他收藏的都是一些瑕疵品，这些瑕疵品被卖给了百姓，而汝窑在成为官窑之前是为富商阶层所烧制的。清朝乾隆皇帝收藏的商窑瓷器是当时已知存在的全部。直到 20 世纪的收藏家开始收藏大多有瑕疵的汝窑瓷器。自 20 世纪 90 年代以来，中国向世界开放，许多隐藏的精美瓷器和藏品纷纷涌入市场。我意识到这将澄清一些关于汝窑瓷器和徽宗皇帝统治时期的问题。多年来，大家都不得不依赖乾隆皇帝的收藏品，这些藏品虽然非常精美，但它们并不是徽宗皇帝委托汝窑为自己和朝廷制作的真正的皇家御用汝窑器皿。

此批汝窑瓷器为中国历史上第一批皇家御用瓷器。

古文献对首件御用汝窑瓷器有详尽的解释和记载，称宋徽宗命窑/汝窑烧造的青瓷器质朴、低调、简约，看起来像是来自过去的历史。文献还解释说，首件御用汝窑瓷器在釉料中使用了罕见的蓝色碎玛瑙（用 20 倍放大镜可以看到），碎玛瑙只用于宋徽宗开发的官窑汝窑瓷器。首件御用汝窑瓷器有许多前所未见的独特造型，这一切都展现了汝窑工匠的真正天才。所有首件官窑汝窑瓷器的圈足均无釉。所有首件官窑汝窑瓷器的釉面都有精细的冰裂纹，而且这些器皿内部也施釉。一品御制汝窑瓷器底部常有划痕，且多有风华，花瓶口常为喇叭形，且比商窑和贡品更大。一品御制汝窑瓷器胎体呈灰色，烧成后呈褐色。所有一品御制汝窑瓷器釉面均有细密的冰裂纹，器内也施釉。一品御制汝窑瓷器专为皇帝及其宫廷制作。徽宗皇帝在朴素中看到美，他将这些瓷器视为艺术品，无论它们是否有瑕疵，都留在宫廷中，这些瓷器显然满足了他的愿望。第一个官制的御用汝窑花瓶的特写照片显示，一滴釉汁附着在圈足上，釉中清晰可见稀有的蓝玛瑙碎片，而解释汝窑的古代文字证明，这些是宋徽宗皇帝传奇的御用官窑器物

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首件汝窑珍稀蓝玛瑙釉瓶

摄影：John Doe

首件汝窑珍稀蓝玛瑙釉瓶

Ru Kiln Imperial Tribute wares are the finest wares they were producing and they gifted them to Emperor Huizong of Song dynasty below are three tribute vases.

The tribute wares are generally small with fire gilded over copper bands, these bands have cuprite and malachite corrosion and this guarantees its great age and is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! Tribute wares are glazed all over and they're fired on setters with prongs that hold the piece off the kiln floor. The prongs leave spur marks on the base and these marks are sesame seed size and shape. Tribute wares have a beautiful smooth glaze and they don't have any crushed agate stone in the glaze. Only Official Imperial wares have crushed Blue Agate in the glaze. The Tribute Wares either have an off white or ash colored biscuit and they are finest done merchant wares, and were given fire gilded copper bands and presented to Emperor Huizong as Tribute

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Sotheby's sold these two Flawed Northern Song Dynasty Ru Ware brush washers in Hong Kong. Now Christie's has sold a flawed Ru Ware Tea Bowl in Hong Kong. They cheated and swindled the collectors that purchased this junk.They should return the money

第二次委托皇家御用汝瓷器是中国有史以来制作的最精美的青瓷器。

宫廷中的御用顾问要求更精美的器皿，因此徽宗皇帝委托汝窑为他和宫廷烧制精美的二品御用青瓷器，这在古文献中也有所记载，二品御用瓷器非常典雅、奢华、美丽，比商人的瓷器和贡品都要大，而且全部是青瓷色。所有二品御用瓷器的釉料中都有罕见的碎蓝玛瑙。（用 20 倍放大镜可以看到）。碎蓝玛瑙只用于徽宗皇帝开发的官窑汝瓷器。二品御用瓷器有许多前所未见的独特形式，展现了汝窑的真正天才。第二次委托的皇家器皿的圈足未上釉，在窑中平烧，图示花瓶的铜带上镀金，铜带被杯状礼仪和孔雀石腐蚀，这保证了它经久不衰，比 TL 测试更可靠，所有专家都用它来判断文物的真实性，无法伪造！所有第二次委托的皇家御用器皿均未标记。第二次委托的皇家御用器皿有乳白色的饼干，烧成后变成褐色，器皿的釉面非常丰富美丽光滑，没有任何裂纹，一些器的铜带上镀金，没有带的花瓶的釉面也没有裂纹。下图中的所有第二次委托的皇家花瓶都有镀金的银带，釉面上有轻微的裂纹和几条线条，所有这些花瓶仅在边缘周围有镀金的银带，而且它们都有深色的青瓷釉，上面有罕见的蓝色碎玛瑙，可以用20倍放大镜看清。镀金磨损的地方有厚厚的黑色腐蚀。

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汝窑商窑器物品质不佳，多售给富商，瑕疵品则以极低的价格卖给平民

下面展示的三件汝窑器物是商窑器物。商窑器物是清朝乾隆皇帝收藏的器物，是中国开放世界之前已知的所有器物，许多隐藏的精美器物和藏品都流入了市场。商窑器物比皇家御窑器物小，通体上釉，包括圈足。烧制时使用带有叉子的镶嵌器将器物抬离窑底。因此，它们有芝麻大小和形状的马刺痕，这些马刺痕只能在商窑器物和进贡器物上看到。商窑器物做工不如进贡器物精细，因为最好的器物被赋予了火烧鎏金铜带，并作为贡品进献给徽宗皇帝。

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