Masterpieces

Qing Dynasty Mark & Period Yongzheng Pair Of Falangcai Enamel Vases 

SALE  $32,000,000.

These Exquisite Famille Rose Vases are very thinly potted, and they were decorated in the Forbidden City in Beijing during the Yongzheng period 1723 to 1735. These vases were painted using Falangcai enamels and it is said that the Emperor himself oversaw the manufacture of these wares. It took such skill and control to create these Vases, Look close and you will understand what a true Chinese Ceramic Masterpiece looks like. It's important to look carefully and zoom in on the leaves, flowers, and branches you will see the detail, colors, and shading that gives balance and depth to these Vases. Collectors must learn to recognize the differences of a good piece compared to great piece or masterpieces. Most Qing Pieces if you look close at them you will see and understand they were painted by less skilled artist, they will look flat without balance, detail or depth. Pay attention to the details and color balance and shading this will help you to see and understand the difference. These vases are very delicate and decorated with branches, flowering prunus, and birds. On the reverse there is an inscribed poem with three seals. The Yongzheng mark on the base was added by the Beijing decorators in blue enamel, and the mark lines up with the poem which is typical in Yongzheng wares. The Yongzheng Falangcai color palette is distinct, making these wares easy to distinguish. This pair of vases are not exact copies of each other which is typical on Yongzheng wares. The Birds on these vases are so finely done the feathers took well over a thousand tiny strokes using a single hair brush to create their bodies this can only be seen using a loupe. Zoom in on the photos and you'll be able to see the tiny strokes on the Birds, and their bodies are only about 1/2" wide. The artist skill and control is incredible. The quality of these wares are magnificent, check your auction catalogs, books, museums, and see if you find a better pair of Yongzheng falangcai vases published anywhere. This pair of Vases measure 

approx. 8 3/8 inches Tall. 

https://www.chinesemasterpieces.com

Groundbreaking Discovery Challenges the Established History of Ru Ware

[Cherry Hill NJ 05/25/2025] – A shocking revelation in the world of ancient Chinese ceramics is set to disrupt the established understanding of Ru ware, one of the most prized ceramics of the Song Dynasty. Independent researcher and collector [Joseph Sharon] has uncovered irrefutable evidence proving that Imperial Ru wares incorporated crushed blue agate in their glazes and fire-gilded bands on their rims and bases—features that have been systematically ignored by museums and auction houses.

With a personal collection of over 300 pieces and extensive microscopic imaging evidence, [Joseph Sharon] has repeatedly attempted to present these findings to leading institutions, only to be met with silence and resistance.

Microscopic Evidence Exposes Long-Held Myths

Through high-resolution microscopic analysis, the presence of blue agate within Ru ware glazes has been confirmed. This contradicts the long-held claim that no such material remained after firing or was used in Song Dynasty ceramics. Agate, with its unique melting properties, remains intact within the glaze, creating a distinctive and recognizable effect that is scientifically impossible to replicate artificially.

Furthermore, many of these artifacts feature fire-gilded bands, a lost technique using a gold and mercury mixture that corrodes naturally over time, forming cuprite and botryoidal malachite—a signature of genuine Imperial wares. This technique has not been in use since the mid-1800s due to safety concerns, further proving the age and authenticity of these artifacts.

Resistance from Museums and Auction Houses

Despite sharing detailed analyses and microscopic photographs, leading auction houses and institutions, including the Palace Museum in Taiwan, have refused to examine the collection. The implications of this research challenge the credibility of millions of dollars' worth of past Ru ware sales, many of which were misattributed merchant-grade wares.

"The art world must prioritize historical accuracy over institutional reputations and market interests," says [Joseph Sharon]. "Refusing to engage with this evidence is a disservice to scholarship and collectors alike."

Call to Action: Seeking Open-Minded Scholars and Institutions

[Joseph Sharon] invites independent researchers, universities, and institutions to examine the collection and conduct independent testing to validate these findings.

In an effort to bring transparency to the art and research world, a new website is set to launch, showcasing high-resolution microscopic images, detailed reports, and side-by-side comparisons with known Ru ware artifacts.

History must be shaped by evidence, not by the reluctance of institutions to admit past mistakes. The time for truth is now.

For media inquiries, interview requests, or collaboration opportunities, please contact:

[Joseph Sharon]
[E-MAIL Joseph.Sharon@chinesemasterpieces.com]
WEBSITE [https://www.chinesemasterpieces.com] 

[Joseph Sharon] is a dedicated independent researcher and collector specializing in Song Dynasty ceramics. With an extensive collection and a passion for uncovering historical truths, [Joseph Sharon] has spent years analyzing and documenting evidence that challenges conventional narratives. Through scientific analysis and meticulous research, their goal is to bring long-overdue transparency to the world of ancient Chinese ceramics.