Chinese Masterpieces
"Among The Finest In The World"
Northern Song Dynasty Chai Kiln, Yaozhou Kiln, & Cizhou Kiln
The 10th Century Enigma of the Chai Kiln Meiping Vase Featuring a Fire-Gilded Rim Band
Joseph.Sharon@chinesemasterpieces.com
The Chai Kiln Meiping Vase, featuring a fire-gilded band around the mouth rim, has undergone cleaning while still exhibiting residual traces of reddish cuprite and greenish malachite patina. These characteristics authenticate the vase's age and are widely regarded as more reliable than a thermoluminescence (TL) test, thus serving as a trusted method among experts for verifying the authenticity of artifacts, rendering it impossible to replicate. This vase showcases a finely crafted off-white stoneware body, adorned with intricate depictions of phoenix birds amidst a cloud motif. Additionally, the vase is finished with an ivory-hued, finely crackled glaze, which is emblematic of the distinguished Chaiyao wares believed to have originated from the Shaanxi province during the 10th century. The unglazed foot ring displays flaking within the biscuit, further validating its historical significance. The vase measures approximately 6 inches in height. ppjrs
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10th Century Enigma of the Chai Kiln: Ewer Featuring Phoenix-Shaped Spout Adorned with Fire-Gilded Band at Rim
Joseph.Sharon@chinesemasterpieces.com
The Chai Kiln Phoenix Bird Formed Spout Ewer, featuring a fire-gilded band around the mouth rim, has undergone cleaning yet still retains traces of reddish cuprite and greenish malachite patina. These elements serve as indicators of its age and provide a more reliable assessment than thermoluminescence (TL) testing. Such patina is employed by experts in the field to validate the authenticity of artifacts, as it cannot be artificially manufactured. This ewer boasts a finely crafted, delicate off-white stoneware body, characterized by its distinctive Phoenix spout and embellished with peony motifs. The surface is coated with an ivory-hued, intricately crackled glaze, demonstrating the hallmark qualities of legendary Chaiyao wares, believed to originate from the Shaanxi province during the 10th century. The foot of the ewer remains unglazed and exhibits signs of flaking in the biscuit, further validating its antiquity. The overall height of the vase is approximately 6 1/8 inches. ppjrs
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Analysis of the 10th Century Chai Kiln Tiger Handle Vase Featuring a Fire-Gilded Band Encircling the Lobed Rim 
Joseph.Sharon@chinesemasterpieces.com
The Chai Kiln Tiger Handle Vase, accented with a fire-gilded band encircling its lobed rim, has undergone cleaning yet retains traces of reddish cuprite and greenish malachite patina. These remnants substantiate the vase's age and serve as a more reliable indicator of authenticity than a thermoluminescence (TL) test; they are universally recognized by experts in the field as definitive markers that cannot be artificially replicated. This exquisite piece showcases a delicate off-white stoneware body, adorned with intricate depictions of peonies. It is also finished with an ivory-hued, finely crackled glaze, characteristic of the legendary Chaiyao wares believed to originate from Shaanxi Province during the 10th century. The unglazed foot ring exhibits flaking in the biscuit, further corroborating its historical provenance. The vase stands approximately 8 3/8 inches in height. ppjrs
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10th Century Artifact: The Chai Kiln Ewer with Fish-Shaped Spout and Gilded Rim Band
Joseph.Sharon@chinesemasterpieces.com
The Chai Kiln Fish-Formed Spout Ewer, featuring a meticulously applied fire-gilded band around the rim, has been thoroughly cleaned yet still retains remnants of reddish cuprite and greenish malachite patina. These characteristics serve as indicators of its age, providing a more reliable authentication method than thermoluminescence testing, and are widely recognized by experts as definitive evidence of an artifact’s authenticity, impervious to forgery. Crafted from a fine, delicate off-white stoneware, this ewer is elegantly shaped with a fish spout and adorned with motifs of lotus and water flowers. Its surface is enveloped in a fine, ivory-colored glaze exhibiting a subtle crackle pattern. Such features are emblematic of the legendary Chaiyao wares, believed to originate from the Shaanxi province during the 10th century. Additionally, the unglazed foot displays flaking in the biscuit, further confirming its historical significance. The vase stands at approximately 6 inches in height. ppjrs
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The 10th Century Enigma of the Chai Kiln Lobed Vase Featuring a Fire-Gilded Band at the Rim 
Joseph.Sharon@chinesemasterpieces.com
The Chai Kiln Lobed Vase, featuring a fire-gilded band around the rim, has undergone cleaning but still retains encrustations of reddish cuprite and greenish malachite patina. These remnants affirm the vase's antiquity and serve as more reliable indicators of authenticity than a thermoluminescence (TL) test, a fact recognized by experts in the field since such characteristics cannot be easily replicated. This exquisite piece is constructed of a refined, delicate off-white stoneware body, with each lobe elegantly adorned with peony motifs. It is further enhanced by an ivory-hued, finely crackled glaze, a hallmark of the legendary Chaiyao wares believed to originate from Shaanxi Province during the 10th century. Notably, the unglazed foot ring exhibits flaking in the biscuit, further substantiating its age. The vase stands approximately 8.5 inches tall, making it a significant addition to any collection. ppjrs
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Northern Song Dynasty Tribute Yaozhou Kiln Imperial Pear-Shaped Vase with Fire-Gilded Bands 
Joseph.Sharon@chinesemasterpieces.com
This exquisite vase from the Northern Song Dynasty, likely produced at the esteemed Yaozhou Kiln, is characterized by its imperial pear form. It features intricately fire-gilded bands encircling the foot and rim, enhanced by a unique encrustation of reddish cuprite and greenish botryoidal malachite, which effectively corroborates its antiquity, offering greater reliability than a thermoluminescence (TL) test. Such attributes are acknowledged by scholars as definitive indicators of authenticity, allowing for no possibility of forgery. The vessel is composed of a fine gray stoneware body, elegantly adorned with carving depicting lotus flower heads and leaves, accompanied by scalloped motifs encircling the neck and base. Its surface is enveloped in a thick, transparent glaze of finely crackled olive green, with bubbles pooling around deeply carved outlines, creating the characteristic tonal variations emblematic of Yaozhou wares from Shaanxi province, dating to the 11th and 12th centuries. The decorative engravings are executed at an angle, a purposeful design choice that accentuates the pooling effect of the glaze. The foot of the vase exhibits a slight application of glaze, though a significant portion remains unglazed, exhibiting a rich brown hue developed during the firing process. This remarkable piece stands approximately 6 1/4 inches tall. ppjrs
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Imperial Gourd-Shaped Vase from the Northern Song Dynasty, Likely a Tribute from Yaozhou Kiln, Featuring Fire-Gilded Bands
Joseph.Sharon@chinesemasterpieces.com
This exquisite vase from the Northern Song Dynasty features an impressive tribute Yaozhou kiln design, characterized by its gourd shape. It is adorned with fire-gilded bands around both the foot and rim, and is encrusted with reddish cuprite and greenish botryoidal malachite, which serve as undeniable indicators of its authenticity and age. Such characteristics far exceed the reliability of a thermoluminescence (TL) test and are recognized by experts as definitive markers of an object's genuineness, impervious to forgery. The vase exhibits a refined gray stoneware body, intricately carved with a motif of diamonds arranged in circles and lotus leaves encircling the neck, complemented by scalloped decoration at the base. Enveloped in a thick, transparent glaze of finely crackled olive green, the surface displays a captivating interplay of bubbles that pool around the deeply carved outlines, enhancing the depth of color. These features are emblematic of Yaozhou wares produced in Shaanxi province during the 11th and 12th centuries. The decorative elements are skillfully carved at an angle, intentionally promoting the pooling effect of the glaze. Notably, the foot of the vase has been minimally wiped with glaze; however, the majority of the surface remains unglazed, resulting in a brown coloration due to the firing process. This remarkable artifact stands approximately 6 1/4 inches in height, a true testament to the artistry and craftsmanship of its era. ppjrs
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Imperial Gourd-Shaped Vase from the Yaozhou Kiln of the Northern Song Dynasty, Accompanied by Fire Gilded Bands 
Joseph.Sharon@chinesemasterpieces.com
This exquisite Song Dynasty tribute vase, attributed to the Yaozhou kiln, features a distinctive gourd shape adorned with fire-gilded bands encircling both the foot and rim. The vase is further embellished with reddish cuprite and greenish botryoidal malachite, serving as compelling indicators of its authenticity that surpass the reliability of thermoluminescence (TL) testing. Such attributes are universally acknowledged by experts for confirming the genuineness of artifacts, as they are inherently difficult to replicate. The vase exhibits a sophisticated gray stoneware body, intricately carved with chrysanthemum motifs around its neck and base. It is enveloped in a thick, transparent glaze that displays a fine crackle, infused with micro-bubbles that accentuate the deeply carved outlines with a darker hue. These features are emblematic of Yaozhou ceramics originating from Shaanxi Province during the 11th to 12th centuries. The decorative elements are skillfully carved at an angle to enhance the visual pooling effect created by the glaze. Notably, while the foot bears a slight trace of glaze, much of its surface remains unglazed, resulting in a brown appearance due to the firing process. This remarkable artifact measures approximately 6.5 inches in height. ppjrs
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Imperial Ovoid-Form Vase from the Northern Song Dynasty, from the Yaozhou Kiln, Adorned with Gilded Fire Bands
Joseph.Sharon@chinesemasterpieces.com
This exquisite vase, attributed to the Northern Song Dynasty and likely crafted at the Yaozhou kiln, exhibits an imperial ovoid form. The piece is distinguished by its fire-gilded bands encircling both the foot and rim, as well as its encrustation with reddish cuprite and greenish botryoidal malachite, which serve as strong indicators of its age. Such evidence of authenticity surpasses the reliability of a thermoluminescence (TL) test and is widely recognized by experts as a definitive measure in validating the provenance of artifacts, making it virtually impossible to replicate. The vase is constructed from a fine gray stoneware, elegantly carved with motifs of chrysanthemums and scalloped petals along the neck and base. Its surface is adorned with a thick, transparent, finely crackled olive-green glaze, which contains bubbles that accumulate around the intricately carved outlines, resulting in a darker coloration. These features are emblematic of Yaozhou wares originating from Shaanxi province during the 11th and 12th centuries. The decorative elements are intentionally carved at an angle to enhance the pooling effect of the glaze. Additionally, while the foot has been lightly wiped with glaze, most of its surface remains unglazed, resulting in a brown hue developed during firing. The overall measurements of the vase are approximately 6 1/4 inches in height. ppjrs
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Northern Song Dynasty Likely Tribute Yaozhou Kiln Imperial Spittoon-Form Vase Featuring Gilded Bands 
Joseph.Sharon@chinesemasterpieces.com
This exquisite Northern Song Dynasty vase, likely a tribute from the Yaozhou kiln, showcases an imperial spittoon form. It features fire-gilded bands encircling the foot and rim, adorned with reddish cuprite and greenish botryoidal malachite, which serve as indicators of its age and authenticity, surpassing the reliability of a thermoluminescence (TL) test. This attribute is widely acknowledged by experts as a definitive criterion for assessing the authenticity of artifacts, rendering it virtually impossible to replicate. The vase boasts a finely crafted gray stoneware body, elegantly carved with a diamond pattern interspersed with lotus petals and leaves, prominently displayed around the neck and base. A thick, transparent glaze of finely crackled olive green envelops the piece, characterized by an array of bubbles that coalesce around the deeply carved outlines, exhibiting a darker hue. Such features are typical of Yaozhou wares from the Shaanxi province, dating to the 11th and 12th centuries. Additionally, the decor has been intentionally carved at an angle to enhance the pooling effect. The foot of the vase displays a slight application of glaze, with the majority remaining unglazed and taking on a brown hue from the firing process. The vase measures approximately 5 1/2 inches in diameter. ppjrs
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Likely Imperial Round Vase from the Yaozhou Kiln of the Northern Song Dynasty Featuring Fire-Gilded Bands 
Joseph.Sharon@chinesemasterpieces.com
This exquisite vase, believed to be a tribute piece from the Northern Song Dynasty, exemplifies the craftsmanship of the renowned Yaozhou Kiln. It features intricately applied fire-gilded bands encircling both the foot and the rim, with encrustations of reddish cuprite and greenish botryoidal malachite, enhancing its historical value and authenticity. The presence of these materials serves as a more trustworthy indicator of age than a thermoluminescence (TL) test, which is widely acknowledged by experts for assessing the genuineness of artifacts. The vase is constructed from a fine gray stoneware body, meticulously carved with floral motifs and lotus petals adorning the neck, complemented by scalloped detailing at the base. It is finished with a dense, transparent olive green glaze, characterized by fine crackling and subtle bubbling that accentuates the deeply carved outlines with a gradient effect toward darker shades. This specific style is emblematic of Yaozhou wares produced in Shaanxi province during the 11th and 12th centuries. The decorative elements have been thoughtfully carved at an angle, enhancing the visual pooling effect. The foot of the vase exhibits a slight sheen from the applied glaze, while the majority remains unglazed, having developed a characteristic brown hue due to the firing process. The vase stands approximately 6 3/8 inches in height. ppjrs
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Imperial Pear-Form Vase from the Yaozhou Kiln of the Northern Song Dynasty Featuring Gilded Fire Bands
Joseph.Sharon@chinesemasterpieces.com
This exquisite Northern Song Dynasty vase, likely a tribute piece from the esteemed Yaozhou Kiln, is characterized by its elegant pear form and adorned with fire-gilded bands along the foot and rim. The embellishments feature encrusted reddish cuprite and greenish botryoidal malachite, which serve as indicators of its authenticity and age, making this piece more reliable than a thermoluminescence (TL) test. Such features are widely recognized by experts as definitive markers for verifying the authenticity of artifacts. The vase exhibits a fine gray stoneware body, intricately carved with motifs of chrysanthemums and leaves, complemented by lotus leaves encircling the neck. Its surface is coated with a thick, transparent, finely crackled olive green glaze, punctuated by bubbles that gather around the deeply carved outlines, resulting in a captivating contrast with darker hues. This decorative technique is emblematic of Yaozhou ceramics from Shaanxi province, produced during the 11th and 12th centuries. The angle of the carvings is intentionally designed to enhance the pooling effect of the glaze. Notably, while the foot of the vase has a slight application of glaze, the majority remains unglazed, having developed a brown hue during the firing process. The vase stands approximately 7 inches tall, exemplifying both artistry and historical significance. ppjrs
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Imperial Ovoid-Shaped Vase from the Yaozhou Kiln of the Northern Song Dynasty, Adorned with Gilded Bands 
Joseph.Sharon@chinesemasterpieces.com
This exquisite Northern Song Dynasty vase, likely produced by the renowned Yaozhou kiln, presents an imperial ovoid shape, embellished with fire-gilded bands encircling both the foot and rim. The vase features distinct encrustations of reddish cuprite and greenish botryoidal malachite, which serve as indicators of its authenticity and age, offering a more reliable verification than a thermoluminescence (TL) test. Such characteristics are universally acknowledged by experts as definitive markers of artifact genuineness that cannot be replicated. The vessel is crafted from high-quality gray stoneware, elegantly carved with intricate floral motifs and lotus leaves, skillfully detailed around both the neck and base. It is coated in a thick, transparent glaze that displays a fine crackle pattern, interspersed with bubbles that collect within the deeply carved outlines, lending a darker hue to those areas. These features are indicative of Yaozhou wares from Shaanxi province, dating back to the 11th and 12th centuries. The decorations are meticulously executed at an angle, enhancing the visual impact of the pooling effect. The foot of the vase has been lightly wiped with glaze, though a considerable portion remains unglazed, presenting a brown coloration resulting from the firing process. The vase stands at approximately 10 inches in height. ppjrs
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Imperial Ovoid Vase from the Northern Song Dynasty Yaozhou
Kiln Featuring Fire-Gilded Bands 
Joseph.Sharon@chinesemasterpieces.com
This exquisite fine art piece, attributed to the Northern Song Dynasty, is a likely tribute from the Yaozhou kiln. It features an imperial ovoid-shaped vase adorned with fire gilded bands encircling the foot and rim, encrusted with reddish cuprite and greenish botryoidal malachite. These elements not only attest to the vase's antiquity but also provide a more reliable measure of authenticity than a thermoluminescence (TL) test, a fact acknowledged by experts in the field to be definitive and resistant to forgery. The vase exhibits a distinguished gray stoneware body, intricately carved with motifs of chrysanthemum and lotus leaves around the shoulder. It is covered with a thick, transparent glaze exhibiting fine crackling, characterized by bubbles that accumulate around the deeply carved outlines, resulting in a captivating variated hue. These features are emblematic of Yaozhou wares from Shaanxi province during the 11th to 12th centuries. The decoration has been skillfully carved at an angle to enhance the pooling effect of the glaze. The foot of the vase shows evidence of a light glaze application, with the majority of the surface remaining unglazed and exhibiting a rich brown coloration resulting from the firing process. This remarkable vase measures approximately 11 1/4 inches in height. ppjrs
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Large Meiping Vase from the Yaozhou Kiln of the Northern
Song Dynasty
Joseph.Sharon@chinesemasterpieces.com
The exquisite Yaozhou Meiping vase from the Northern Song Dynasty features a finely crafted gray stoneware body adorned with intricately carved motifs of scrolling peonies, floral heads, and lotus leaves encircling the base. This vase is finished with a substantial, transparent olive-green glaze, exhibiting a myriad of bubbles that accumulate around the carved details, creating a gradient effect in hue. These attributes are emblematic of Yaozhou ceramics produced in Shaanxi Province during the 11th and 12th centuries. The decorative carving is executed at an angle to enhance the pooling effect of the glaze. While the foot of the vase bears a light application of glaze, the majority of the base remains unglazed, exhibiting a brown coloration resulting from the firing process, alongside evidence of flaking at the biscuit, which attests to its age. The vase stands approximately 15 inches tall.
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Prominent Northern Song Dynasty Cizhou Kiln Sgraffito Meiping
Vase Expected for Tribute
Joseph.Sharon@chinesemasterpieces.com
Presenting an exceptional artifact from the Northern Song Dynasty, this Cizhou Kiln sgraffito peony Meiping vase exemplifies the highest standards of craftsmanship. Standing at an impressive 22 1/2 inches, this vase is widely regarded as one of the finest examples of Cizhou meiping vases made available to the public. The piece is intricately incised with delicate leafy vines and floral motifs adorned with lappets, showcasing remarkable artistry. Its light grayish body exhibits characteristic flaking in the biscuit, further attesting to its historical significance and age. This vase is a true masterpiece within the realm of Cizhou ceramics. Should you wish to inquire further about this exquisite piece, please do not hesitate to reach out. ppjrs
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Northern Song Dynasty Cizhou Kiln Rare Five Claw Dragon
and Phoenix Meiping Vase 
Joseph.Sharon@chinesemasterpieces.com
Northern Song Dynasty Cizhou Kiln Cizhou Five-Claw Dragon and Phoenix Meiping Vase. This vase features a white slip, accompanied by intricate black painting and incising. It may represent one of the earliest instances of the depiction of the Five-Claw Dragon and Phoenix amidst clouds on ceramic ware. The biscuit possesses a grayish buff color characteristic of stoneware and exhibits flaking, further indicating its historical significance. The vase measures approximately 13 1/2 inches in height. ppjrs
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Northern Song Dynasty Cizhou Kiln Majestic Ribbed Vase
Joseph.Sharon@chinesemasterpieces.com
This is a Northern Song Dynasty Cizhou Kiln Cizhou ware large ribbed vase, notable for its four handles. This rare example of Cizhou pottery exhibits expert craftsmanship, characterized by a slender, elongated form with ribs meticulously incised into the body during the throwing process. It is finished with a distinctive brownish-black glaze, demonstrating both aesthetic appeal and historical significance. Additionally, the presence of flaking in the biscuit indicates its considerable age. The vase measures approximately
17.5 inches in height. ppjrs
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Masterwork of the Northern Song Dynasty: Cizhou Kiln Large Meiping Vase Depicting a Likely Tribute to the Buddha 
Joseph.Sharon@chinesemasterpieces.com
Northern Song Dynasty Cizhou Kiln Cizhou Ware Large Figure Meiping Vase. This exquisite vase features a white slip with black cut glaze depicting a figure of the Buddha amidst clouds and floral motifs. The biscuit showcases a grayish hue and exhibits areas of flaking, confirming its historical provenance and age. The vessel stands approximately 22 1/2 inches in height. ppjrs
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Cizhou Kiln Meiping Vase of the Northern Song Dynasty: A Likely Tribute Piece with Floral Decoration 
Joseph.Sharon@chinesemasterpieces.com
This Northern Song Dynasty Cizhou Kiln Flowered Meiping Vase exemplifies the artistry of Cizhou ware. Featuring a distinctive black ground adorned with white glazed, carved, and incised floral motifs on a grayish biscuit, this piece exhibits slight flaking, indicative of its historical age. The vase stands approximately 14.5 inches tall, reflecting both its impressive stature and aesthetic appeal. ppjrs
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Dragon Meiping Vase from the Cizhou Kiln of the Northern
Song Dynasty
Joseph.Sharon@chinesemasterpieces.com
This Song Dynasty Cizhou Kiln Cizhou ware Dragon Meiping Vase features a white slip with an intricately incised black-painted dragon against a grayish buff biscuit. This particular vase may represent an early example, as subsequent pieces exhibit more elaborate dragon designs. Additionally, the presence of flaking on the biscuit attests to its age. The vase measures approximately 14 inches in height. ppjrs
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Meiping Vase from the Cizhou Kiln: Floral and Vine Motifs of the
Song Dynasty
Joseph.Sharon@chinesemasterpieces.com
The Song Dynasty Cizhou Kiln Meiping vase exhibits a brownish-black glaze intricately carved and incised with floral and vine motifs on a buff biscuit body. Notably, the presence of flaking in the biscuit is indicative of its antiquity. This vase stands approximately 9 ½ inches in height. ppjrs
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Masterpiece of the Northern Song Dynasty: Cizhou Kiln Tribute Meiping Vase Featuring a Majestic Leopard Design
Joseph.Sharon@chinesemasterpieces.com
Song Dynasty Cizhou Kiln Cizhou Ware Large Leopard Meiping Vase. This vase features a white slip adorned with intricate black cut glaze motifs of leopards and lotus leaves. The biscuit is a grayish hue, exhibiting signs of flaking that attest to its age. The vessel stands approximately 22 1/2 inches tall. ppjrs
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Yuan Dynasty Cizhou Kiln Vessels: Reverse-Painted Floral
Pear-Shaped Vase
Joseph.Sharon@chinesemasterpieces.com
The presented artifact is a reverse-painted pear-shaped vase from the Yuan Dynasty, originating from the Cizhou Kiln. This vase features an intricate design of lotus and chrysanthemum flowers enveloped by vines. Its surface is adorned with a white slip, subsequently enhanced with black pigment, resulting in a striking visual contrast. The presence of flaking in the biscuit layer further attests to the vase's historical provenance. Constructed from buff stoneware, this piece stands approximately 14 inches tall, exemplifying the artistry and craftsmanship characteristic of its period. ppjrs
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Meiping Vase Featuring Kylin and Floral Motifs from the Northern
Song Dynasty Cizhou Kiln 
Joseph.Sharon@chinesemasterpieces.com
This Northern Song Dynasty Cizhou Kiln Meiping vase, featuring an elegant brownish-black cut glaze decoration, exemplifies the artistry of its period. The body of the vase is composed of a buff-colored biscuit, and it bears a mark on the base indicative of its provenance. Notably, there is some flaking present in the biscuit, thereby attesting to the vase's significant age. The vase stands approximately 15 inches tall. ppjrs
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Yuan Dynasty Cizhou Kiln Double Gourd Vase Featuring Four Panels
Adorned with Sprigs and Buds
Yuan Dynasty Cizhou Kiln - The Double Gourd Vase features an off-white slip adorned with intricate black decorations. It is elegantly designed with four distinct panels, each showcasing sprigs and buds. The biscuit exhibits a buff coloration, accompanied by noticeable flaking, which attests to its historical significance. The vase stands at an approximate height of 11 1/2 inches. ppjrs
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Cizhou Kiln Flowered Vessel with Handles from the Northern
Song Dynasty
Joseph.Sharon@chinesemasterpieces.com
Northern Song Dynasty Cizhou Kiln Flowered Vessel with Handles. This vessel features a white slip adorned with elegantly executed black cut-glaze floral motifs, including lotus leaves. The biscuit demonstrates a grayish buff hue and exhibits flaking, a testament to its aged character. The vessel stands approximately 14.5 inches in height. ppjrs
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