Chinese Masterpieces

Fine Important Imperial Qing Dynasty Porcelain


A Pair of Imperial Qing Dynasty Kangxi Yellow Ground Falangcai Enamel Bowls, Featuring a Deep Pink Four-Character Yuzhi Mark in a Double Square, Dating from the Kangxi Period

Joseph.Sharon@chinesemasterpieces.com

These marked and period Kangxi Falangcai bowls from the Qing Dynasty exhibit exquisite craftsmanship and attention to detail. The intricacy of the incised designs attests to the remarkable skill of the artisans responsible for their creation. To fully appreciate the nuances of the detail, it is advisable to enlarge the accompanying photographs. This pair features a vibrant yellow ground complemented by a Falangcai palette, renowned for its rich array of colored enamels. Careful observation reveals the refined quality of the painting and shading, with minimal crazing—an attribute often associated with Kangxi Falangcai enamels. The striking application of these enamels enhances the overall aesthetic appeal of the bowls. On the base, one will find a deep pink four-character Yuzhi mark enclosed by double squares, signifying authenticity. Additionally, the foot ring displays some flaking of the biscuit, indicative of age, as well as iron marks resulting from the firing process. These masterpieces, the Kangxi bowls, are executed with exceptional artistry and precision. I would assert that they represent the finest pair of Kangxi Falangcai bowls I have encountered and may very well be among the finest examples in existence. Each bowl measures approximately 5 7/8 inches in diameter. ppjrs

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Kangxi Period Lotus Bowl with Ruby Red Ground and Falangcai Enamels, Exhibiting Blue Four-Character Yuzhi Mark Encased in a Double Square, Imperial Qing Dynasty

Joseph.Sharon@chinesemasterpieces.com

This Qing Dynasty Kangxi Falangcai bowl exhibits an exquisite form and craftsmanship. The piece features a robust falangcai palette adorned with vibrant colored enamels on the floral motifs, complemented by a more delicate enamel shading in green tones that enhances the lotus pads. Notably, the bowl displays subtle crazing in the flowers alongside a rich ruby red ground, underscoring its artistic merit. Careful attention to detail, along with an impressive balance of colors and shading, characterizes this exceptional piece. Kangxi falangcai bowls are often distinguished by fine crazing within their enamel surfaces, a feature present in this bowl which also exhibits some flaking in the biscuit, indicating its age and authenticity. The color palette employed in Kangxi falangcai pieces is indeed striking. Additionally, this bowl bears the four-character yuzhi mark of the Kangxi period, presented in a double square format on the base. This meticulously crafted Kangxi bowl measures approximately 6 1/8 inches in diameter. ppjrs

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Qing Dynasty Imperial Qianlong-Marked And Period Famille Rose Globular Formed Vase  

Joseph.Sharon@chinesemasterpieces.com

This exquisite piece of Chinese porcelain is a remarkable Fine Art Qing Dynasty Imperial vase, specifically marked and produced during the Qianlong Period, spanning from 1736 to 1795. The craftsmanship displayed in this vase is notable, showcasing multiple bands and layers of intricate decoration that attest to the artist's exceptional skill. The vase features incised elements, while the band encircling the shoulder is adorned with countless meticulously controlled enamel droplets, contributing to its unique visual texture. The foliage, branches, blossoms, and butterflies are rendered with remarkable delicacy. A careful examination—preferably through magnification—of the leaves, flowers, and branches reveals a depth of detail, color vibrancy, and shading that enhance the overall balance and richness of the piece. Collectors must cultivate an understanding of the distinguishing features that elevate a piece from being good to truly exceptional or even a masterpiece. A thorough inspection of many Qing Dynasty artifacts reveals that they were often executed by less skilled artisans, lacking the depth, detail, and balance seen in superior pieces. Attention to detail, color harmony, and shading is crucial for recognizing these differences. The decorations of this vase predominantly utilize fine brushwork, with some details likely rendered using a single hair strand brush. It is noteworthy that there exists a minor firing flaw at the blue base; the blue glaze has contracted slightly, resulting in a couple of small white areas. Additionally, the reverse of the vase features a poem, while the base prominently displays the Qianlong mark, aligned with the center of the primary decoration—a characteristic feature of Imperial Qianlong porcelain. This impressive vase stands at approximately 16 1/8 inches in height, making it a significant addition to any collection.

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Famille Rose Guan Vessel from the Qianlong Period of the Imperial Qing Dynasty

Joseph.Sharon@chinesemasterpieces.com

This Qianlong Famille Rose Guan-formed vessel represents the pinnacle of Chinese Famille Rose enamel porcelain artistry. It is arguably one of the finest examples ever documented and made available for acquisition. I invite you to reference your scholarly texts, explore auction catalogs, and consult major museums worldwide in search of a piece that may rival its unparalleled beauty and craftsmanship. The complexity of this vessel is remarkable, warranting an in-person examination to fully appreciate its exquisite details. The vessel features a multi-layered decorative scheme, with an elegant form defined by a striking blue ground that has been incised in a subtle wave-like pattern and subsequently adorned with gold accents. Scattered across the surface are delicate rose-colored blossoms that enhance its allure. The central panels exhibit masterful brushwork, showcasing branches embellished with blooming flowers and two magpie birds, all executed with an astonishing level of control—many strokes appearing to be applied with a single hair, a detail that becomes evident upon close inspection with a loupe. The panels are framed in iron red, while two leaves, also in iron red, bear intricately painted depictions of a cricket and a grasshopper. Two gold phoenix handles elevate the vessel's design, complemented by meticulously applied droplets of white enamel that accentuate the iron red throughout the piece. The interior and base are finished in a stunning turquoise hue. The color palette adheres to the esteemed Qianlong Famille Rose tradition, and the underside bears the Qianlong mark—positioned in alignment with the main panels, a characteristic typical of Imperial Qianlong pieces. Standing at 7 5/8 inches tall, this vessel epitomizes the high standards set for true masterpieces of Chinese porcelain. For any inquiries regarding this exceptional vessel, please do not hesitate to reach out.

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Qing Dynasty Imperial mark & period Yongzheng Pair of 
Falangcai Enamels Vases ï»¿

Joseph.Sharon@chinesemasterpieces.com

These exquisite Falangcai enamel vases, notable for their exceptionally thin porcelain bodies, were crafted in the Forbidden City, Beijing, during the Yongzheng period, specifically between 1723 and 1735. The vases are adorned with intricate designs executed in Falangcai enamels, with historical accounts indicating that the Emperor closely supervised their production. The artistic skill and precision required for their creation are evident; an examination of the vases reveals definitive characteristics of a masterful Chinese ceramic work. Prospective collectors are advised to scrutinize the detailed depictions of leaves, flowers, and branches. Close examination will reveal the exquisite color gradation and shading that confer balance and depth to these vases. It is essential for collectors to distinguish between ordinary pieces and exceptional masterpieces. A comparative analysis of Qing ceramics often reveals that many were executed by less proficient artists, resulting in flat appearances with insufficient detail and balance. Paying meticulous attention to these elements of color and shading is vital for discerning quality in ceramic art. The delicate nature of these vases is further enhanced by their decoration, which features branches, flowering prunus, and avian motifs. The Yongzheng Falangcai color palette is distinctly recognizable. Evidence of age is apparent in the form of flaking within the biscuit. Additionally, the reverse side bears an inscribed poem along with three seals. The base is marked with the Yongzheng four-character mark, rendered in blue enamel within double squares, a hallmark of the Beijing decorators. It is noteworthy that this pair of vases is not identical, which is characteristic of Yongzheng productions. The birds depicted on these vases display unparalleled artistry, with the feathers meticulously illustrated through over a thousand minuscule strokes executed with a single-hair brush, a detail that can only be appreciated under magnification. Close examination of the photographs will reveal the intricate strokes, particularly given that the birds' bodies measure merely ½ inch in width. The artist's exceptional skill and control are truly exemplary. The quality of these vases is remarkable; verification of their distinction can be undertaken through auction catalogs, reference texts, and museum collections to ascertain if any superior examples of Yongzheng Falangcai vases are documented. The vases stand at an approximate height of 8 3/8 inches.

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Imperial Pair of Qing Dynasty Qianlong Period Bowls Featuring a Six-Character Mark and Poetic Inscription on the Base, Crafted with Falangcai Enamels

Joseph.Sharon@chinesemasterpieces.com

This pair of Qing Dynasty-marked Qianlong Falangcai bowls exhibits an exquisite form and craftsmanship. They feature a captivating palette of colored enamels set against a vibrant yellow ground, adorned with four Chinese symbols intricately surrounded by floral motifs and interlocking vines. Notably, the bowls display a characteristic crazing in the enamel, a hallmark of authentic falangcai wares. One must pay careful attention to the details, color balance, and shading, which contribute significantly to their aesthetic appeal. Evidence of flaking in the biscuit suggests the age and authenticity of these remarkable pieces. The falangcai color palette is particularly striking, enhancing the visual impact of the bowls. Each bowl bears the Qianlong blue six-character mark and is inscribed with a poem on the base, indicating their prestigious heritage. These expertly crafted Qianlong bowls measure approximately 6 inches in diameter, making them notable examples of their period. ppjrs

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Significantly Important Qianlong Imperial Marked and Period 
Incised Mirror Black Glazed Bowl

Joseph.Sharon@chinesemasterpieces.com

This exceptionally refined Imperial Qianlong marked and period Mirror Black Glazed Bowl, dating from 1736 to 1795, features intricately incised architectural and landscape decorations, which are meticulously highlighted with gold. This piece represents the most outstanding example of its kind currently available on the open market. We encourage you to consult various auction catalogs and reference materials to identify any comparable black glazed items; it is likely you will find none that match this masterpiece. Each incised line is executed with remarkable precision, nearly as fine as a human hair. The true artistry of this bowl cannot be fully appreciated through photographs; it must be experienced in person to grasp the extraordinary skill and control required for its creation. The form of the bowl is exquisite, and one can observe the glaze delicately thinning at the rim, revealing the underlying white biscuit. Aspiring collectors should educate themselves on differentiating between quality pieces and exceptional masterpieces. A closer examination of many Qing Dynasty artifacts often reveals that they were crafted by less proficient artisans, resulting in a lack of balance, detail, and depth. Attention to detail, color balance, and shading is essential for appreciating these nuances. The Qianlong seal mark is aligned with the front of the bowl, a customary practice of the Qianlong period, which is widely acknowledged as the zenith of Chinese porcelain artistry. This bowl measures approximately 9 3/16 inches in diameter.

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Highly Uncommon Qing Dynasty Vase Featuring Islamic Influences: "Imperial Qianlong Mark and Period Famille Rose Landscape Hu Form

Joseph.Sharon@chinesemasterpieces.com

**Chinese Antique Porcelain: Qing Dynasty Qianlong Marked and Period Famille Rose Landscape Vase** We are pleased to present an exceptionally rare and exquisite Famille Rose landscape vase, marked and produced during the Qianlong period (1736-1795). This remarkable piece features a Hu form and showcases motifs reminiscent of Islamic tile artistry, an influence that appeared intermittently in select porcelains during the Qianlong era. This elegantly painted vase exhibits a high level of craftsmanship, adorned with two meticulously detailed landscape panels depicting serene valleys. Each panel is intricately framed by dual phoenix figures, enhancing the overall aesthetic. The mark is strategically aligned with the principal panel, adhering to the characteristics typical of Imperial Qianlong porcelain. Recognized as the zenith of porcelain production in China, the Qianlong period holds significant historical and artistic value, and this vase epitomizes that legacy. The vase stands at approximately 10 1/2 inches tall. Should you have any inquiries regarding this distinguished piece, please do not hesitate to reach out.

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Imperial Mark and Period Yongzheng Pair of Falangcai Enamel Meiping Vases from the Qing Dynasty

Joseph.Sharon@chinesemasterpieces.com

The Falangcai enamels meiping vases, exquisite in their craftsmanship and artistry, were meticulously produced during the Yongzheng era from 1723 to 1735 in the Forbidden City, Beijing. These vases exemplify the pinnacle of decorative arts, having been adorned with exceptional Falangcai enamels, presumably under the direct oversight of the Emperor. Their creation required an extraordinary level of skill and precision. Each vase features intricate decorations of branches, flowering prunus, and magpie birds, while the reverse side showcases an inscribed poem accompanied by three seals. Additionally, the presence of a blue enamel Yongzheng four-character Yuzhi mark in double squares on the base identifies them as products of Beijing decorators. Notably, these vases exhibit slight variations in design, consistent with typical Yongzheng wares, further enhancing their uniqueness. The evidence of flaking in the biscuit confirms their age and historical significance. The artist's extraordinary craftsmanship is evident in every detail, rendering them a magnificent example of this genre. For those discerning collectors, I encourage you to consult auction catalogs, academic publications, and museum collections to evaluate the rarity of a comparable pair of Yongzheng Falangcai vases available elsewhere. This particular pair stands at approximately 9 5/8 inches in height ppjrs

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A Pair of Qing Dynasty Kangxi Bowls with Pinkish Ground and Falangcai Enamel Featuring a Puce Four-Character Yuzhi Mark and Period in a Double Square

Joseph.Sharon@chinesemasterpieces.com

This pair of Qing Dynasty-marked and period Kangxi Falangcai bowls exhibit exquisite craftsmanship. They are adorned with a striking Falangcai palette that showcases a variety of colored enamels, featuring floral designs with vibrant hues and delicate green shading on the leaves, juxtaposed against deep bluish-green tones on the four panels set against a pale pink ground. Notably, the presence of extensive crazing in both the ground and panels is characteristic of Falangcai enamels, further attesting to their authenticity and age. Attention to detail in the color balance and shading is essential when appreciating these remarkable bowls. Additionally, evidence of flaking in the biscuit indicates their historical significance. The Falangcai color palette is particularly noteworthy, enhancing the overall aesthetic appeal of the pieces. Each bowl bears the Kangxi four-character Yuzhi mark in puce enamel, enclosed within double squares on the base, affirming their provenance. These expertly crafted Kangxi bowls measure approximately 5 7/8 inches in diameter. ppjrs

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Imperial Qianlong Celadon Vase of the Qing Dynasty: Mark and Period Analysis

Joseph.Sharon@chinesemasterpieces.com

This exquisite vase, marked and dated to the Qianlong period, is crafted in the form of a Hu. It features five intricately carved five-clawed dragons navigating through clouds above a water motif, showcasing the exceptional artistry characteristic of this era. The vase is adorned with a striking celadon glaze and is complemented by two elegantly designed deer head handles. Additionally, it bears the Qianlong mark, which aligns harmoniously with the prominently displayed central dragon, a hallmark of Qianlong ceramics. The vase stands approximately 12 3/4 inches in height.

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Pair of Qing Dynasty Imperial Yongzheng Period Bowls Adorned with Eight Buddhist Symbols, Featuring Blue Four Character Yuzhi Mark and Period in a Double Square Design 

Joseph.Sharon@chinesemasterpieces.com

This impressive pair of Qing Dynasty Yongzheng period Falangcai bowls exhibits exceptional craftsmanship and aesthetic appeal. They feature a fascinating falangcai palette characterized by a rich selection of colored enamels and are adorned with eight auspicious Buddhist symbols. Notably, the enamels demonstrate minimal crazing, which is often characteristic of authentic falangcai pieces. Attention to detail is paramount in these bowls, with careful consideration given to color balance and shading, enhancing their overall visual presentation. Evidence of age is indicated by flaking in the biscuit, further affirming their historical significance. The vibrancy of the Falangcai color palette adds to their allure. Each bowl is marked with the Yongzheng blue four-character Yuzhi mark encased in double squares on the base, underscoring their authenticity and period relevance. These exquisite Yongzheng bowls measure approximately 6 inches in diameter and exemplify the exceptional artistry of their time. ppjrs

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Exceptional Famille-Rose Hundred Deer Vase from the Qing Dynasty, Featuring the Qianlong Seal, Mark and Period

Joseph.Sharon@chinesemasterpieces.com

We are pleased to present a remarkably rare and exquisite famille rose hu vase, meticulously crafted during the Qing dynasty, specifically under the Qianlong reign, as indicated by the six-character seal mark in underglaze blue, dating from 1736 to 1795. This exceptional artifact is adorned with a continuous motif that elegantly depicts a herd of deer within a meticulously rendered naturalistic landscape. The level of detail showcases extraordinary precision, with exquisitely enamelled fur illustrating the deer engaged in various activities such as frolicking, resting, and playing against an opulent chartreuse background. The composition is further enriched by a rocky terrain accentuated with elegantly twisted pine trees, branches bearing peaches, and the vibrantly hued lingzhi fungus. A river gracefully meanders through the mountainous backdrop, enhancing the visual depth and dynamism of the piece. The vase's handles are artistically designed in the form of stylized chilong dragons, enameled with iron red and gold, further contributing to its grandeur. Upon examination of collections, museum holdings, and auction results, it is evident that this vase ranks among the finest—if not the singular exemplary—Hundred Deer Vases in existence worldwide. The overall height of this magnificent piece is 19 inches. ppjrs

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Qing Dynasty Yellow Ground Green-Enameled Incised Dragon Vase with Imperial Qianlong Mark and Period

Joseph.Sharon@chinesemasterpieces.com

This exquisite ovoid vase from the Qing Dynasty features a long neck and is distinguished by a vibrant yellow ground adorned with green incised enamel depicting a dragon in pursuit of a flaming pearl amidst billowing clouds. Evidence of flaking in the biscuit confirms its antiquity. The vase is marked with the underglaze Qianlong seal on the base, aligning with the primary decorative motif, thereby establishing it as an authenticated period piece. The vase stands

approximately 10 1/2 inches in height.ppjrs

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Qing Dynasty Yongzheng Period Pairs of Falangcai Enamel Vases 
with Imperial Yuzhi Mark ï»¿

Joseph.Sharon@chinesemasterpieces.com

These exceptional Falangcai enamel vases are masterfully crafted and intricately painted, originating from the Forbidden City in Beijing during the Yongzheng period, specifically between 1723 and 1735. The vases were produced using the Falangcai enamel technique, asserted to have been supervised directly by the Emperor. The creation of these vases required exceptional skill and precision. The decoration features branches adorned with flowering prunus and magpie birds, exemplifying the distinct Yongzheng color palette. A poem is inscribed on the reverse side, accompanied by three seals. Additionally, the vases bear the Yongzheng four-character Yuzhi mark in blue enamel, presented in double squares on the base, indicating their authenticity as products of Beijing decorators. It is noteworthy that this pair of vases is not identical, which is characteristic of Yongzheng wares. Evidence of flaking in the biscuit further substantiates their age. The artist's remarkable skill and control in the execution of these pieces are evident. The quality of these wares is truly exceptional; a thorough review of auction catalogs, scholarly publications, and museum collections may not yield a comparison to this distinctive pair of Yongzheng Falangcai vases. Each vase stands approximately 10 inches in height. ppjrs

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Imperial Pair of Qing Dynasty Kangxi-Era Bowls Adorned with Peonies and Floral Motifs, Featuring Falangcai Enamels and the Blue Yuzhi Mark with Double Square Inscription of the Period 

Joseph.Sharon@chinesemasterpieces.com

This exquisite pair of Qing Dynasty-marked Kangxi Falangcai bowls exemplifies an elegant form and is adorned with a stunning palette of colored enamels. Each bowl features meticulously detailed panels depicting flowers, buds, and peonies, showcasing the artistry typical of this period. Notably, there is minimal crazing present in the enamels, a condition often associated with falangcai pieces, which further enhances their desirability. Additionally, the fine detailing and vibrant colors are complemented by evidence of flaking in the biscuit, indicative of their age. The bases of the bowls bear the blue Kangxi four-character Yuzhi mark enclosed within double squares. Measuring approximately 6 inches in diameter, these Kangxi bowls are a remarkable testament to the craftsmanship of their time. ppjrs

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Imperial Jiaqing Mark And Period Meiping Vase with Yellow Ground, Green Enameled Incised Five Dragons, Qing Dynasty

Joseph.Sharon@chinesemasterpieces.com

This exquisite Meiping vase, crafted during the Qing Dynasty, features a vibrant yellow ground adorned with five intricately incised green dragons. Three of the dragons are depicted amongst the clouds, while the remaining two emerge from the water, showcasing remarkable artistry. Notably, the vase exhibits flaking in the biscuit, a testament to its considerable age. This Jiaqing Meiping vase bears the underglaze Jiaqing seal mark on its base, aligning with its primary decorative elements, thereby confirming it as both a marked and period piece. The vase stands at an approximate height of 13 1/2 inches. ppjrs


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Kangxi Period Falangcai Bowl on Pinkish Ground with Deep Pink Four-Character Yuzhi Mark from the Imperial Qing Dynasty

Joseph.Sharon@chinesemasterpieces.com

This exquisite Kangxi Falangcai bowl, showcases a remarkable form complemented by a vibrant palette of colored enamels. The rich pink floral motifs, alongside the striking green and yellow tones of the leaves and the sky blue adorning the bowl's four panels, create a captivating interplay against a delicate orangish-pinkish ground. A thorough analysis of the intricate details, color balance, and shading enhances one’s understanding of the unique characteristics that render this Falangcai Kangxi bowl a remarkable artifact. The presence of slight flaking in the biscuit serves as evidence of its historical age, while the limited crazing found in the enamels is characteristic of Falangcai pieces. The bowl's allure is further intensified by its captivating color palette. Notably, it is marked with the Kangxi four-character yuzhi inscription, elegantly executed in deep pink, inside the double squares at the base. Measuring approximately 5 7/8 inches in diameter, this meticulously crafted Kangxi bowl represents a significant contribution to the field of fine porcelain. ppjrs

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Imperial Qianlong Mark and Period Qing Dynasty Yellow Ground Vase with Incised Globular Shape Featuring 100 Butterflies / Moths

Joseph.Sharon@chinesemasterpieces.com

This exquisite Qing Dynasty vase features a fine yellow ground adorned with intricately incised motifs of butterflies, moths, fruits, and flowers. These elements are rendered in rich, thick enamel colors, while the remainder of the vase is finished in a more delicate application of thin enamels. Exhibiting a beautifully globular form, the vase is adorned with meticulously painted details. The base bears the blue under-glaze Qianlong seal mark, indicative of its authentic heritage. Evidence of age is reflected in the flaking of the biscuit, which further corroborates its provenance and period, with the vase standing at 16 3/4 inches tall.

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Imperial Blue and White Vase from the Kangxi Era of

the Qing Dynasty

Joseph.Sharon@chinesemasterpieces.com

This Qing Dynasty Kangxi vase, distinguished by its marked authenticity, exhibits a refined form representative of the period. This blue and white vase is elegantly adorned with motifs of rocks, peonies, and two magpies perched upon a branch, complemented by an inscription of poetry on the reverse side. Careful attention to detail, tonal balance, and shading are essential for understanding the characteristics that define a superior example of Kangxi blue and white porcelain. The vase features the Kangxi underglaze six character mark enclosed within a double circle at its base. This exemplary piece has been expertly crafted and measures approximately 12 5/8 inches in height. ppjrs

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Pair of Yongzheng Bowls from the Imperial Qing Dynasty Featuring Falangcai Palette and Period Four-Character Gold Mark in Peach Form

Joseph.Sharon@chinesemasterpieces.com

This distinguished pair of marked and period Yongzheng bowls from the Qing Dynasty displays exquisite craftsmanship, employing a falangcai palette of vibrant enamels. The bowls feature a striking pink ground adorned with four blue panels, each shaped like Chinese characters, and illustrate motifs of bats and peaches within these panels. Notably, each bowl includes a peach design on its interior and base, marked with the four-character Yongzheng gold inscription own the peach motif. Attention to detail is evident in the careful application of color, balance, and shading throughout these pieces. The bowls exhibit signs of flaking in the biscuit, which attest to their antiquity. Additionally, falangcai enamels are characterized by the presence of fine crazing, a feature these bowls distinctly possess, enhancing their aesthetic appeal. The overall color palette of the falangcai enamels adds to the beauty of this remarkable craftsmanship. Each Yongzheng bowl measures approximately 6 1/4 inches in diameter. ppjrs

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Yongzheng Period Falangcai Enamel Vases Featuring Imperial Yuzhi Mark from the Qing Dynasty

Joseph.Sharon@chinesemasterpieces.com

These remarkable Falangcai enamel vases exhibit an extraordinary thinness, measuring less than half the thickness of a dime at the rim. Crafted during the Yongzheng period (1723 to 1735) in the Forbidden City of Beijing, these vases showcase a remarkable artistry that is believed to have been directly overseen by the Emperor himself. The decoration features intricate motifs, including branches, flowering prunus, and birds, all rendered with the exceptional skill required for such delicate work. The distinctive palette characteristic of Yongzheng Falangcai enamels confers a unique identity to these pieces, facilitating their recognition among connoisseurs. On the reverse side, an inscribed poem accompanies three seals, further enriching the historical significance of the vases. The presence of the Yongzheng four-character mark, rendered in blue enamel within double squares on the base, attests to the authenticity of these artifacts, added by the decorators in Beijing. Notably, this pair of vases is not identical, which is consistent with typical Yongzheng creations. The artistry exhibited in these vases is exceptional, with their rim being so finely crafted that some may liken it to milk glass. The level of skill and precision involved in their production is indeed remarkable. The quality of these vases is outstanding; interested parties are encouraged to consult auction catalogs, scholarly publications, and museum collections to ascertain the rarity and excellence of such finely potted Yongzheng Falangcai vases. Each vase measures approximately 9 1/8 inches in height. ppjrs

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Qing Dynasty Imperial Qianlong Mark and Period Red Ground Ovoid Vase Decorated with Birds Motif

Joseph.Sharon@chinesemasterpieces.com

This Qianlong vase, marked from the Qing Dynasty and representative of the period, exhibits an elegant ovoid form characterized by a rich red ground. It is meticulously adorned with intricate gold branches and blossoms, as well as eight birds rendered in black and white enamels. The gold embellishments were executed with fluid, freestyle strokes, while the detailing of the birds’ feathers showcases the use of an exceptionally fine brush for heightened precision. A thorough examination of the piece, particularly regarding its intricate details, color palette, and shading techniques, is essential for appreciating the balance and depth inherent in this artwork. Such observations are pivotal in gaining insight into the defining characteristics of Imperial Qianlong porcelain. Notably, the Qianlong seal mark is strategically positioned at the center of the painting, a hallmark of authentic Imperial Qianlong pieces. The Qianlong era is widely recognized as the zenith of porcelain production in China. This exquisitely crafted ovoid vase stands approximately 18.5 inches in height.

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Qing Dynasty Marked Artifact: Double Gourd Vase with Black Cherry Glaze from the Yongzheng Period.

Joseph.Sharon@chinesemasterpieces.com

This double-gourd-shaped vase from the Yongzheng period of the Qing Dynasty is exceptionally crafted, exhibiting a strikingly beautiful black cherry hue. The piece is well-proportioned and demonstrates high-quality pottery techniques. It features a four-character Yongzheng mark on the base, indicative of its period, and exhibits iron firing marks on the foot ring. Additionally, the presence of flaking in the biscuit suggests its antiquity. The vase measures approximately 11 1/8 inches in height. ppjrs

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Daoguang Era Imperial Qing Dynasty Elegant Red Glazed Pear-Shaped Vase

Joseph.Sharon@chinesemasterpieces.com

This exquisite vase, originating from the Qing Dynasty and specifically the Daoguang period, features a pear-form design. It is expertly crafted, exhibiting a remarkable rich red hue that is visually captivating. The vase shows evidence of flaking in the biscuit, indicative of its age, and is marked on the base with the six-character Daoguang mark. The vase measures approximately 8 7/8 inches in height. ppjrs

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Qianlong Period with Imperial Seal Mark Egg Yolk Yellow Vase 
of the Qing Dynasty

Joseph.Sharon@chinesemasterpieces.com

Qing Dynasty Imperial Qianlong Seal Mark & Period Monochrome Egg Yolk Yellow Vase This exquisite slender vase, featuring a trumpet mouth, exhibits iron firing marks on the foot ring, indicative of its historical significance. Notable flaking in the biscuit further confirms its age. The vase stands approximately 11 7/8 inches tall. ppjrs

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Significant Pair of Qing Dynasty Imperial Yongzheng Seal Mark and Period Rare Chartreuse Monochrome Garlic Mouth Vases

Joseph.Sharon@chinesemasterpieces.com

This exquisite pair of Garlic-Mouth vases, originating from the Qing Dynasty during the Yongzheng period, features an exceptionally rare chartreuse color that enhances their aesthetic appeal. Notably, the presence of flaking in the ceramic biscuit attests to their antiquity. Each vase is marked with the six-character Yongzheng Seal, underscoring its historical significance. The dimensions of each piece are

approximately 9 7/8 inches in height. ppjrs

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Monochrome Lemon Yellow Vase with Imperial Mark the Kangxi Period of the Qing Dynasty

Joseph.Sharon@chinesemasterpieces.com

Qing Dynasty Imperial Kangxi Mark & Period Monochrome Lemon Yellow Bottle Presenting a remarkable Lemon Yellow mallet-shaped bottle from the Kangxi period. Noteworthy is the foot ring, which exhibits subtle iron-red markings resulting from the firing process, indicating the artifact's antiquity. Additionally, the presence of minor flaking in the biscuit further substantiates its age. The dimensions are approximately 8 1/4 inches in height. ppjrs

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Remarkable Large Outstanding Imperial Doucai Moon Flask from the Yongzheng Mark And Period of the Qing Dynasty

Joseph.Sharon@chinesemasterpieces.com

An exceptionally large Doucai moon flask from the Yongzheng period of the Qing Dynasty, distinguished by its mark and intricate design, features motifs of the Dragon and Phoenix amidst cloud patterns. The term "Doucai" translates to "contrasting colors," referring to the use of the Famille Rose palette—an enamel style that was notably rare during the Yongzheng era. This flask showcases elegantly designed flying fish handles, while its surface is adorned with bats, scrolling peonies, and floral elements. The base is marked with the six-character Yongzheng seal in underglaze blue. Additionally, the presence of flaking in the biscuit attests to its historical significance and authenticity. The flask stands approximately 22 3/4 inches in height. ppjrs 

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Imperial Yongzheng Period Story Bowls from the Qing Dynasty, Decorated with Falangcai Palette and Inscribed with Four-Character Yuzhi Mark within Double Squares

Joseph.Sharon@chinesemasterpieces.com

This distinguished pair of Yongzheng story bowls from the Qing Dynasty is both marked and authentic to the period. Crafted with exquisite form, these bowls utilize the falangcai palette of colored enamels, which is notable for its vibrant hues and intricate details. Each bowl narrates a traditional Chinese story, with finely rendered figures that exemplify the artistry characteristic of falangcai enamels. The undersides of the bowls are adorned with the four-character Yongzheng Yuzhi mark, rendered in blue enamel within a double square—a hallmark of quality and authenticity. Attention should be drawn to the meticulous details, color balance, and shading that define these pieces. It is important to note the presence of some flaking in the biscuit, an indication of their age, while only minimal crazing is evident in the enamels, which often characterizes falangcai wares. The color palette itself remains remarkably beautiful. Each Yongzheng bowl measures approximately 6 1/4 inches in diameter. ppjrs

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Qing Dynasty Vase Featuring Hundred Cranes, Accompanied by Qianlong Seal Mark and Period Designation

Joseph.Sharon@chinesemasterpieces.com

We proudly present a rare and significant famille rose vase, expertly crafted in hu form during the Qing dynasty, specifically in the Qianlong period (1736-1795). This exceptional artifact features a six-character seal mark in underglaze blue, which attests to its authenticity and historical importance. The vase is embellished with an intricate and continuous design showcasing a large flock of cranes against a meticulously detailed naturalistic backdrop. The composition demonstrates remarkable precision, highlighting exquisitely rendered enamelled rocky cliffs framed by dramatic mountain peaks, along with large, twisted pines and gnarled branches. Approximately half of the cranes are depicted perched among the pines and rocky outcrops, while the remaining birds gracefully soar above. A solitary peach, symbolizing longevity, is prominently illustrated, further enriching the thematic complexity of the piece. The other cranes elegantly navigate the waters below, encapsulating a tranquil and harmonious natural scene. The is selectively applied peach, indicating a deliberate artistic decision, possibly influenced by Jesuit aesthetics. Furthermore, the vase is adorned with stylized dragon handles, enameled in rich shades of iron red and gold, which exemplify the intricate craftsmanship characteristic of the era. An examination of museum collections, auction records, and private holdings confirms that this vase is among the finest crane vases of its kind globally, measuring an impressive 19 inches in height. ppjrs 

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Doucai Moon Flask from the Yongzheng Period of the Qing Dynasty, Featuring Imperial Mark

Joseph.Sharon@chinesemasterpieces.com

Yongzheng-marked Doucai Moon Flask, produced during the Qing Dynasty, features a design depicting the Flowers of the Four Seasons, characterized by vivid blooming flowers and blossoms. The term "Doucai" refers to the technique of contrasting colors, utilizing the Fencai enamel palette that was emblematic of the Yongzheng era. This moon flask displays signs of flaking in the biscuit, indicating its antique provenance, and stands approximately 12.5 inches in height. ppjrs 

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Qing Dynasty Imperial Qianlong Mark and Period Yellow-Glazed Ovoid Formed Vase Featuring Rooster Motif

Joseph.Sharon@chinesemasterpieces.com

This Qing Dynasty Marked and period Qianlong Rooster Vase exhibits an ovoid form characterized by a striking yellow ground. The vase is meticulously adorned with vivid depictions of three roosters, butterflies, birds, and an array of colorful flowering blooms. The reverse side features an elegantly inscribed poem accompanied by three seal marks. The artwork predominantly employs a loose, free-style brush technique, while select areas showcase fine detail executed with an exceptional brush. It is essential for collectors to examine the nuances of this piece closely, paying particular attention to the details, color balance, and shading that contribute to its overall depth and harmony. Understanding the distinctions between merely good pieces and those that qualify as exceptional or masterpieces is key in the art of porcelain collecting. A closer inspection of Qing-era pieces often reveals variations in artistry, where certain examples may appear flat due to a lack of balance and detail, indicative of a less skilled artist. The Qianlong seal mark is aligned centrally within the painting, a characteristic feature of Imperial Qianlong porcelain. The Qianlong period is renowned as the zenith of porcelain production in China. This particular ovoid vase is crafted with notable skill, exhibiting signs of wear, including flaking in the biscuit, which further attests to its antiquity. The vase measures approximately 17 1/2 inches in height. 

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Kangxi Period Children Engaged in Play with Falangcai-Decorated Bowl Featuring Blue Four-Character Yuzhi Mark in Double Square 

Joseph.Sharon@chinesemasterpieces.com

This Qing Dynasty-marked Kangxi Children Playing Bowl exemplifies exquisite craftsmanship and artistry, utilizing a falangcai palette of vibrant colored enamels. The bowl features four distinct panels, each depicting various youthful revelries against a rich yellow background adorned with intricately incised patterns, showcasing detailed applications of blue and pink enamels. A meticulous examination reveals the careful attention paid to detail, color balance, and shading within each panel, indicative of the considerable skill required to produce such a masterpiece. Notably, the bowl displays flaking in the biscuit, a characteristic indicative of its age. The falangcai enamels are distinguished by their fine crazing, a feature present in this piece, enhancing its historical significance. The bowl is further identified by the Kangxi four-character yuzhi mark, executed in blue with double squares, found on the base. This Kangxi Bowl has a diameter of approximately 6 inches, affirming its authenticity and importance as a collectible item. ppjrs

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Imperial Yongzheng Mark And Period Doucai Dragon and Phoenix Dish From Qing Dynasty 

Joseph.Sharon@chinesemasterpieces.com

This dish, marked and produced during the Yongzheng period of the Qing Dynasty, features a refined depiction of a dragon and phoenix amidst swirling clouds. The term "doucai" refers to the technique of contrasting colors, characterized by the use of a distinctive palette of enamels that was prevalent during the Yongzheng era. The piece exhibits flaking in the biscuit, which serves as evidence of its antiquity; it measures approximately 17 7/8 inches in diameter. ppjrs 

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Qing Dynasty Qianlong Mark And Period Vase Showcasing 
Unique Molded Design

Joseph.Sharon@chinesemasterpieces.com

This exquisite Qing Dynasty Qianlong vase is distinguished by its unique mark and period authenticity. The vase features a rich brown glaze, meticulously adorned with finely painted gold scrolling vines and chrysanthemums. Additionally, it exhibits intricately molded branches, peaches, leaves, and mushrooms that gracefully wrap around its surface. The base is inscribed with an impressed Qianlong seal mark, while the foot ring displays signs of flaking in the biscuit, indicative of its age. Vase stands at

approximately 11 5/8 inches tall.

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Imperial Qing Dynasty Kangxi Lotus Bowl with Ruby Red Ground and Falangcai Enamels, Featuring a Puce Enamel Four Character Yuzhi Mark & Period within a Double Square 

Joseph.Sharon@chinesemasterpieces.com

This exceptional Kangxi Falangcai bowl, marked from the Qing Dynasty, exhibits an exquisite form and design. The piece features a rich ruby red ground adorned with a splendid palette of vibrant enamels, including delicate pinks and yellows, cascading across the floral motifs, complemented by verdant green tones that enhance the vines and leaves. The meticulous attention to detail, particularly in the color balance and shading, is noteworthy. Falangcai enamels are often characterized by fine crazing, a feature present in this bowl, further attesting to its authenticity and age, as evidenced by the flaking observed in the biscuit. The bowl also showcases the remarkable beauty of the Falangcai color palette. Importantly, the base is marked with the Kangxi four-character puce enamel yuzhi mark enclosed in a double square, confirming its provenance. This Kangxi bowl is exceptionally crafted, with a diameter of approximately 6 3/16 inches, making it a remarkable addition to any collection. ppjrs

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Qing Dynasty Yellow Ground Famille Rose Imperial Masterpiece: Qianlong Period Meiping Vase With Seal Mark

Joseph.Sharon@chinesemasterpieces.com

This exquisite Qing Dynasty Famille Rose Meiping Vase features a striking yellow ground adorned with intricately rendered brown branches and richly colored rose-hued blossoms, complemented by four meticulously detailed Magpie subjects. To fully appreciate the artist's skill and precision, we encourage viewers to enlarge the accompanying photographs. The reverse side of the vase displays an elegantly inscribed poem alongside three distinct seal marks, further enhancing its scholarly value. The vase exhibits a graceful form and boasts exceptionally fine painting techniques, indicative of the high standards characteristic of Imperial craftsmanship. Notably, the base displays the blue under-glaze Qianlong Seal Mark, aligning seamlessly with the vase's primary decorative elements, a hallmark of Imperial Qianlong pieces. Evidence of minor flaking in the biscuit material corroborates the vase's age. The vase stands approximately 12 3/4 inches tall and is recognized as an authentic and period-specific piece.

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Qing Dynasty Famille-Rose Hundred Deer Vase Bearing the Qianlong Seal Mark and Period

Joseph.Sharon@chinesemasterpieces.com

This Famille Rose hu-form vase, expertly crafted during the Qing dynasty under the Qianlong reign, features a six-character seal mark in underglaze blue, indicating its production during the period from 1736 to 1795. This exceptional work of art showcases a continuous motif of a herd of deer set within an idyllic natural landscape. The intricate details elucidate the deer engaged in various activities amidst a mountainous backdrop, complete with rocky terrain and gnarled pine trees. Notable elements include branches adorned with peaches, lingzhi fungus, and a stream cascading down the mountainside. The vase's handles are elegantly designed in the form of deer heads with antlers. This remarkable piece stands at

a height of 19 inches. ppjrs

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Pair of Kangxi Bowls from the Imperial Qing Dynasty Featuring Falangcai Palette and Blue Four-Character Yuzhi Mark of the Period in a Double Square 

Joseph.Sharon@chinesemasterpieces.com

This exceptional pair of marked and period Kangxi bowls from the Qing Dynasty exhibits a stunning form, utilizing the exquisite falangcai palette of colored enamels. Each bowl features four distinct panels adorned with Chinese characters, set against a blue background embellished with Buddhist symbols, scrolls, and floral motifs, all crafted in the falangcai style. Attention to detail is evident in the color balance and shading of these bowls. Furthermore, the presence of flaking in the biscuit underscores their antiquity. Notably, falangcai enamels are distinguished by fine crazing, a characteristic exhibited in these pieces, enhancing their aesthetic appeal. The bowls are marked with the Kangxi four-character yuzhi mark in blue, enclosed in double squares, located on the base. Each bowl measures approximately 5 7/8 inches in diameter. ppjrs

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