Chinese Masterpieces
Northern Song Dynasty Ru Kiln Tribute Wares
Imperial Ru Tribute Ware from the Collection of Emperor Huizong Chinese ancient fine art Ru ware, recognized as Imperial Tribute wares, represents the pinnacle of craftsmanship during that period. These exquisite pieces were presented as gifts to Emperor Huizong of the Northern Song Dynasty.
Tribute wares are distinguished by their compact size and the application of fire gilding over copper bands. The presence of corrosion, specifically cuprite and malachite, on these bands serves as a reliable indicator of their significant age. This evaluation is considered more credible than thermoluminescence (TL) testing and is widely accepted by experts for validating the authenticity of artifacts, as such traits are not subject to artificial reproduction. The glazing on tribute wares is comprehensive, reflected by their firing on setters with prongs that elevate the pieces above the kiln floor. The resultant spur marks on the bases of the wares are approximately the shape and size of sesame seeds. Furthermore, tribute wares are recognized for their exceptionally smooth glaze, which notably lacks crushed agate stone, thereby differentiating them from Official Imperial Royal wares produced under the reign of Chinese Emperor Huizong, where crushed agate is present in the glaze. The biscuit of tribute wares typically presents an off-white or ash hue, crafted with a level of sophistication that exceeds that of merchant wares. It is crucial to understand that the Ru wares documented in museums and private collections do not feature agate in their glaze. Claims regarding the absence of visible agate resulting from melting are misleading; the pieces cataloged by these institutions frequently represent flawed merchant wares that never included agate in their glaze. Only the Official Royal Imperial wares exhibit such characteristics, which can be examined using a 20x loupe for further clarity.
For the novice these wares you can clearly see the Cuprite and Malachite corrosion, which proves they are ancient.
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AGENT : Venizelos G. Gavrilakis, President, VENIS STUDIOS
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The Practice of Fire Gilding in Ancient China Originated Around
the 4th Century BCE.
The fine art collector specializing in Chinese ancient Ru ware acknowledges the significance of the fire-gilded bands that adorn the rims and bases of these exquisite pieces. These bands, crafted over copper, display a distinct layer of cuprite beneath the malachite, which can be identified using a jeweler’s loupe. This unique formation process spans several centuries, particularly notable in instances of fire gilding applied to these tribute pieces. Dating back approximately nine hundred years, these artifacts exhibit specific corrosion patterns that unequivocally attest to their considerable age. The initial corrosion product formed on ancient fire-gilded copper is cuprite, characterized by its rich oxblood hue. Layered over the cuprite, one may observe malachite, a vibrant green mineral that is easily distinguishable by the naked eye on the fire-gilded bands. Following this, a third layer—azurite—commonly develops, presenting as a striking blue mineral often found on Chinese ancient bronzes. To ascertain the authenticity of a piece as a genuine Chinese artifact, a straightforward inspection method exists, which is virtually impossible to replicate. If azurite is scratched, malachite should be present beneath, and similarly, a subsequent scratch of the malachite layer must reveal cuprite underneath. It is crucial to note that azurite cannot exist independently; it necessitates the presence of malachite for its formation, which itself is contingent upon existing cuprite. This fundamental principle holds true without exception, particularly for items composed of copper, as bronze itself is predominantly a copper alloy.
EXCEPTIONAL RU WARE: THE FINEST IMPERIAL TRIBUTE CERAMICS PRESENTED TO EMPEROR HUIZONG OF THE SONG DYNASTY
Tribute wares are typically characterized by their small size and the presence of fire gilding over copper bands. These bands exhibit cuprite and malachite corrosion, which serves as a reliable indicator of age, often considered more trustworthy than thermoluminescence (TL) tests for verifying the authenticity of artifacts. Esteemed experts in the field uniformly recognize this corrosion as an unambiguous indicator that cannot be easily replicated. These wares are fully glazed and are fired using setters equipped with prongs designed to elevate the pieces above the kiln floor. The prongs leave distinctive spur marks on the base, approximately the size and shape of sesame seeds. Tribute wares exhibit a notably smooth glaze and are devoid of crushed agate stone, distinguishing them from the Official Imperial Royal wares commissioned and developed under the auspices of Chinese Emperor Huizong, which prominently feature crushed agate in their glaze. Typically, Tribute Wares have either an off-white or ash-colored biscuit and demonstrate a level of refinement surpassing that of merchant wares. Historical records indicate that all Ru wares cataloged in museums and collections lack agate in their glaze. The assertion that agate cannot be observed due to melting is misleading; the documented pieces in these institutions frequently represent imperfect merchant wares, whereas only Official Royal Imperial wares authentically contain agate in their glaze, a detail verifiable under magnification with a 20x loupe.
Northern Song Dynasty Imperial Ru-Ware Tribute Cup with
Grayish Celadon Glaze
This exceptional Northern Song Dynasty Ru-ware cup, distinguished by its refined grayish celadon glaze, was meticulously designed as a tribute vessel for the Emperor and his court. The cup is elegantly enhanced with fire-gilded copper bands around both the rim and the base. Signs of age are evident through slightly cleaned reddish cuprite and greenish malachite corrosion, which are deemed more reliable than thermoluminescence (TL) testing for the authentication of such artifacts. These characteristics are widely recognized by scholars as definitive indicators of authenticity, making replication virtually impossible. The cup features a greenish-gray glaze with subtle green undertones, complemented by a delicate network of fine crackling. Its surface is smooth and free of agate in the glaze mix, showcasing impressed lotus leaf motifs that gracefully encircle the body. Moreover, the base exhibits five-minute spur marks resembling sesame seeds, which reflect the craftsmanship of the period. The dimensions of the cup are approximately 5 3/8 inches in height and 4 1/4 inches in diameter. This significant piece, part of the surviving
collection of Emperor Huizong's Northern Song Tribute Ru ware exemplifies the artistry and refinement characteristic of
this illustrious era. ppjrs
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Olive Green Glaze Ru-Ware Tribute Tube Vessel from the Northern
Song Dynasty
This exceptionally crafted Northern Song Dynasty Ru-ware celadon glaze vessel, characterized by an intricate five-tube design and adorned with lotus leaf impressions, stands as a remarkable testament to Chinese ceramic artistry. Designed as a tribute vessel for the Emperor and his Court, it features a fire-gilded copper band encircling the rim, indicative of its significance and splendor. While the vessel band has undergone cleaning, it still retains traces of encrusted layers of reddish cuprite and greenish malachite corrosion, elements that not only attest to its considerable age but also provide more reliable indicators of authenticity than a thermoluminescence (TL) test, as acknowledged by leading experts in the field. The vessel's glaze has no agate and exhibits a sophisticated, darker olive green color, complemented by an exquisite, fine crackle and a smooth surface texture. Additionally, the base of the vessel displays five minuscule spur marks, each approximately the size of a sesame seed, further enhancing its authenticity. Standing at approximately 4 ¼ inches tall, this piece is believed to originate from the surviving hoard of Imperial Ru ware associated with Emperor Huizong. ppjrs
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Imperial Ru-Ware Tribute Ear Bowl with Olive Green Glaze from the
Northern Song Dynasty
An exceptionally refined Chinese Ru ware olive green glaze ear bowl from the Northern Song Dynasty. This bowl, crafted as a tribute for the Emperor and his court, features a fire-gilded band encircling the rim. It has undergone a gentle cleaning process, revealing layered reddish cuprite and greenish malachite corrosion, which serve as indicators of its considerable age. This authenticating evidence is more reliable than a thermoluminescence (TL) test and is universally accepted by experts to confirm the authenticity of such artifacts, rendering replication impossible. The bowl showcases an olive green glaze with no agate and displays a delicate crackle pattern. Its surface is characterized by an exceptionally smooth texture. Additionally, the base of the bowl presents five-minute spur marks, each approximately the size of a sesame seed. The overall dimensions of this exquisite piece are approximately 6.5 inches in length. This artifact belongs to the surviving hoard of Ru ware from the reign of Emperor Huizong, further enhancing its historical significance. ppjrs
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Imperial Ru-Ware Cong Vase with Olive Green Glaze from the
Northern Song Dynasty
We are pleased to present an exceptionally fine and meticulously crafted Northern Song Dynasty Ru-ware celadon glaze Cong Form vase. This esteemed artifact was created as a tribute to the Emperor and his Court. The vase features a fire-gilded copper band around the rim and, despite a thorough cleaning, retains remnants of layered reddish cuprite and greenish malachite corrosion. These characteristics serve as definitive indicators of its significant age, providing more reliable evidence of authenticity than a thermoluminescence (TL) test—a standard utilized by experts to ascertain the genuineness of artifacts, thus establishing that it cannot be forged. The Cong vase exhibits a darker olive green glaze and displays an intricate, fine crackle. The glaze possesses a smooth texture and is free from any agate in the glaze. The bottom of the vase is marked by five-minute spur marks, reminiscent of sesame seeds. This exquisite piece stands approximately 7 1/4 inches in height and originates from the surviving hoard of Northern Song Imperial Ru ware associated with Emperor Huizong. ppjrs
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Northern Song Dynasty Olive Green Glaze Imperial Ru-Ware Tribute
Lobed Narcissus Bowl
Presenting an exceptionally refined N. Song Dynasty Ru-ware olive green glaze lobed Narcissus bowl, meticulously crafted and historically significant. This exquisite brush washer was produced as an offering to the Emperor and his Court, featuring a fire-gilded copper band encircling the rim. Accompanying microscopic photographs confirm the absence of agate in the glaze, while the gilded copper band displays visible cuprite and malachite corrosion. Such analyses provide a more reliable assessment of age than a thermoluminescence (TL) test and are widely accepted by experts in the field as definitive proof of authenticity, making it resistant to forgery. The olive green glaze is characterized by a delicate crackle pattern and a smooth texture, further affirming its quality. The base of the bowl features six minuscule spur marks reminiscent of sesame seeds. The Narcissus bowl measures approximately 7 1/4 inches in length and is a remarkable remnant from the surviving collection of Emperor Huizong’s N. Song Imperial Ru ware. ppjrs
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Imperial Ru-Ware Tribute Beaker Vase with Olive Green Glaze
from the Northern Song Dynasty
This exquisitely crafted Northern Song Dynasty Ru-ware celadon glaze vase represents a remarkable tribute to the Emperor and his court. The vase features meticulously applied fire-gilded copper bands around both the rim and base, which exhibit evidence of slight cleaning, alongside layered corrosion consisting of reddish cuprite and greenish malachite. Accompanying microscopic photographs substantiate that the glaze is devoid of agate, while also revealing visible corrosion on the gilded copper bands. This empirical evidence offers a more reliable indication of the vase’s authenticity than a TL test, a methodology recognized by experts in the field. The vase is characterized by a subtle bluish-gray glaze with a distinctive greenish hue and an exquisite, fine crackle finish. The smooth texture of the glaze further confirms the absence of agate. Additionally, the bottom of the vase displays five-minute spur marks akin to the size of sesame seeds. Measuring approximately 6 1/4 inches in height, this piece is an exquisite remnant of Emperor Huizong's renowned collection of Northern Song Imperial Ru-ware. ppjrs
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Imperial Ru-Ware Olive Green Glazed Brush Washer from
the Northern Song Dynasty
This exceptionally crafted N. Song Dynasty Ru-ware brush washer, characterized by its olive green glaze, exemplifies the artistry associated with imperial tribute ware. Designed explicitly for the Emperor and his Court, this brush washer features a fire-gilded copper band encircling the rim, which has undergone minimal cleaning and exhibits corrosion in the form of layered reddish cuprite and greenish malachite. Accompanying microscopic analysis has conclusively demonstrated the absence of agate within the glaze, while the gilded copper band reveals discernible cuprite and malachite corrosion—indicators of its considerable age and more reliable than thermoluminescence testing for authenticating artifacts, thus assuring that it cannot be replicated. The piece boasts an olive green glaze with a refined crackle finish, and the glaze itself presents a smooth texture, affirming the absence of agate. Additionally, the underside of the brush washer features five diminutive spur marks, each approximately the size of a sesame seed. The dimensions of this notable artifact are approximately 7 inches in diameter. This particular brush washer is a significant remnant of Emperor Huizong's collection of Northern Song Imperial Ru ware. ppjrs
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Imperial Ru-Ware Vase with Tiger Handles Featuring Pale Celadon
Glaze from the Northern Song Dynasty
This exquisitely crafted Song Dynasty pale celadon glaze Ru ware vase, featuring a distinctive tiger handle, is a remarkable tribute vase originally intended for the Emperor and his Court. The vase is adorned with fire-gilded copper bands around both the rim and the base, exhibiting notable corrosion characterized by reddish cuprite and greenish botryoidal malachite. Microscopic analysis corroborates the absence of agate within the glaze, while the gilded copper band reveals significant cuprite and malachite corrosion, further affirming the piece's considerable age. This method of authentication surpasses the reliability of thermoluminescence (TL) testing and is a standard practice employed by experts in the field to verify the legitimacy of artifacts, as such features cannot be imitated. The vase is distinguished by its pale celadon glaze, which presents a refined crackle and a smooth texture, devoid of any agate in glaze mix. The underside of the vase showcases five minute spur marks, each approximately the size of a sesame seed. With an approximate height of 6 ¾ inches, this exceptional piece hails from the surviving collection of Emperor Huizong’s North Song Imperial Ru ware. ppjrs
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Imperial Ru-Ware Tribute Vase with Pale Celadon Glaze from the
Northern Song Dynasty
This exceptionally fine Ru-ware vase, characterized by its exquisite pale celadon glaze, originates from the Northern Song Dynasty and is believed to have been crafted as a tribute piece for the Emperor and his Court. The vase is adorned with fire-gilded copper bands encircling both the rim and the base, which exhibit slight signs of reddish cuprite and greenish malachite corrosion due to the passage of time. Accompanying microscopic photography confirms the absence of agate within the glaze matrix, while the gilded copper bands reveal noticeable cuprite and malachite corrosion—a testament to its considerable antiquity; such evidence is widely considered more reliable than thermoluminescence testing, and is utilized by experts in the field to ascertain the authenticity of artifacts, as it cannot be easily replicated. The vase features a delicate pale celadon glaze that showcases fine crackle patterns, and the surface retains a notably smooth texture. Additionally, the base of the vase exhibits five minute spur marks, roughly the size of sesame seeds. The overall height of this remarkable piece is approximately 7 inches. This vase is an important relic from the surviving collection of Ru ware associated with Emperor Huizong. ppjrs
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Imperial Ru-Ware Tribute Beaker Vase with Pale Celadon Glaze
from the Northern Song Dynasty
This exceptionally crafted N. Song Dynasty pale celadon glaze Ru-ware vase exemplifies the artistry of its time. Thought to be a tribute piece for the Emperor and his Court, this vase is adorned with fire-gilded copper bands at both the rim and base, exhibiting layered corrosion of reddish cuprite and greenish botryoidal malachite. Accompanying microscopic analyses affirm the absence of agate within the glaze, and the presence of visible corrosion on the gilded copper band further substantiates its considerable age, providing a more reliable authentication than thermoluminescence testing. Such criteria are recognized as definitive by experts in the field, as they cannot be replicably produced. The vase features a pale celadon glaze that displays a refined crackle pattern and a remarkably smooth texture, reaffirming the absence of agate. The base of the vase displays three minute spur marks, akin to sesame seeds in size. Measuring approximately 4.5 inches in height, this remarkable artifact is part of the surviving collection associated with Emperor Huizong's Northern Song Imperial Ru ware. ppjrs
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Imperial Ru-Ware Tribute Vase with Foliated Rim from the Northern
Song Dynasty Featuring Pale Celadon Glaze
**Exquisite N. Song Dynasty Pale Celadon Glaze Ru-Ware Vase with Foliate Rim** This remarkable Ru-ware vase, produced during the Northern Song Dynasty, was created as a tribute piece for the Emperor and his court. The vase features fire-gilded copper bands encircling both the rim and base, which exhibit a distinctive layered corrosion of reddish cuprite and green botryoidal malachite. Accompanying microscopic analysis has verified the absence of agate within the glaze, while the gilded copper band reveals substantial cuprite and malachite corrosion, providing a reliable indication of the vase’s considerable age. This methodology exceeds the reliability of thermoluminescence (TL) testing and aligns with expert practices for authenticating artifacts, thereby eliminating the possibility of forgery. The vase is adorned with a pale celadon glaze characterized by a subtle greenish hue and a fine crackle pattern, complemented by a smooth texture. Notably, the base of the vase features three diminutive spur marks akin to sesame seeds. Standing at approximately 6 inches tall, this exceptional piece hails from the surviving collection of N. Song Imperial Ru ware belonging to Emperor Huizong. ppjrs
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Imperial Ru-Ware Tribute Vase Featuring Pale Celadon Glaze, Mallet Form, Northern Song Dynasty
This exquisitely crafted N. Song Dynasty pale celadon glaze Ru-ware vase, featuring a mallet form, exemplifies exceptional artistry and serves as a tribute piece for the Emperor and his Court. Adorned with a fire-gilded copper band around the rim, the vase has undergone a delicate cleaning, revealing layered reddish cuprite and green malachite corrosion. Accompanying microscopic photographs substantiate the absence of agate in the glaze, while the gilded copper band exhibits visible signs of cuprite and malachite corrosion, further affirming its considerable age. This evidence is regarded as more reliable than a thermoluminescence (TL) test and is commonly utilized by experts to authenticate artifacts, ensuring evaluation that cannot be easily replicated. The vase showcases a pale celadon glaze with an elegant, fine crackle and a smooth texture, devoid of agate. The base features five diminutive spur marks, reminiscent of sesame seeds. The vase stands at approximately 8 1/8 inches in height and represents a notable example from Emperor Huizong's surviving collection of N. Song Imperial Ru ware. ppjrs
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Imperial Ru-Ware Tribute Beaker Vase: Sky After Rain Glaze,
Northern Song Dynasty
This exceptionally crafted Northern Song Dynasty vase, featuring the sky after rain glaze characteristic of Ru ware, is a tribute piece commissioned for the Emperor and his Court. The vase is elegantly adorned with fire-gilded copper bands along both the rim and the base. Notably, it exhibits a complex layering of reddish cuprite and green botryoidal malachite corrosion, indicative of its notable age. Microscopic examinations confirm the absence of agate in the glaze, while the detailed corrosion patterns on the gilded copper band provide substantial evidence of authenticity, surpassing the reliability of thermoluminescence testing, which is employed by experts in the field. The vase features a bluish-gray glaze with a subtle greenish hue and a finely crackled surface texture. Its bottom is marked by five-minute spur marks, comparable in size to sesame seeds. The vase stands approximately 7 1/8 inches tall. This esteemed artifact originates from the surviving collection of N. Song Imperial Ru ware associated with Emperor Huizong. ppjrs
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Northern Song Dynasty Imperial Ru Ware Tribute Mallet Form Vase
Sky After Rain Glaze
This exquisitely crafted Northern Song Dynasty Ru-ware vase, characterized by its sky-after-rain coloration and mallet form, exemplifies the finest artistry of the period. Created as a tribute piece for the Emperor and his Court, this vase features fire-gilded copper bands adorning both the rim and base. While it has undergone minimal cleaning, it retains traces of layered reddish cuprite and greenish malachite corrosion, which serve as definitive indicators of its remarkable age. Such markers are deemed more reliable than a thermoluminescence (TL) test and are universally recognized by experts as vital for confirming the authenticity of historical artifacts, rendering any attempts at forgery improbable. The vase showcases a bluish-gray glaze with a subtle greenish tint, exhibiting a very fine crackle and a smooth texture without any noticeable agate in the glaze mix. The bottom of the vase displays five-minute spur marks, akin to sesame seeds in size. This exceptional piece stands approximately 6 1/8 inches tall and is a noteworthy survivor from the esteemed hoard of Northern Song Imperial Ru ware gathered under the reign of Emperor Huizong. ppjrs
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Imperial Ru-Ware Tribute Brush Washer Featuring Phoenix Motif from the Northern Song Dynasty: Glazed Sky After Rain Aesthetic
This exceptionally crafted N. Song Dynasty sky-after-rain glazed Ru-ware brush washer, adorned with a phoenix motif, is a remarkable tribute to the Emperor and his Court. Featuring a fire-gilded copper band around its rim, this brush washer exhibits layered reddish cuprite and green botryoidal malachite corrosion, indicative of its significant age. Microscopic analysis corroborates the absence of agate within the glaze, while the gilded copper band reveals discernible signs of cuprite and malachite corrosion, providing a more reliable assessment than thermoluminescence (TL) testing. Such markings are utilized by experts to authenticate artifacts, ensuring that this piece cannot be replicated. The brush washer displays a bluish-gray glaze with a subtle greenish hue, complemented by a fine crackle and a smooth texture, reinforcing the absence of agate in the glaze. Additionally, the underside is characterized by seven-minute spur marks, resembling sesame seeds. This exquisite artifact measures approximately 6 3/4 inches in diameter and originates from the surviving hoard of Imperial Ru ware belonging to Emperor Huizong. ppjrs
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Northern Song Dynasty Celadon Glazed Imperial Ru-Ware Tribute Vase in Lobed Beaker Form And Sky After Rainfall Glaze
This exceptionally fine Northern Song Dynasty vase, showcasing an exquisite potted design with a sky-after-rain glaze, exemplifies the esteemed Imperial Ru-ware tribute lobed beaker form. Crafted specifically as a tribute to the Emperor and his Court, this vase features fire-gilded copper bands adorning both the rim and base. Notably, it exhibits layered reddish cuprite and green botryoidal malachite corrosion, underscoring its historical significance. Microscopic analysis has validated the absence of agate within the glaze, while the gilded copper band reveals visible cuprite and botryoidal malachite deterioration, further establishing its age. Such evidence is considered more credible than a thermoluminescence (TL) test and is routinely relied upon by experts for authenticating artifacts; its veracity surpasses fabrication attempts. The vase is adorned with a bluish-gray glaze that carries a greenish tint, displaying a delicate crackle characteristic. The glaze texture is notably smooth, reinforcing the absence of agate. The base is marked by five-minute spur marks, each approximately the size of a sesame seed. This remarkable piece measures approximately 6 ¾ inches in height and is a surviving example from the hoard of Emperor Huizong, representing the greatness of Northern Song Imperial Ru ware artistry. ppjrs
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Northern Song Dynasty Sky After Rain Glaze Imperial Ru Ware
Tribute Round Mallet-Form Vase
This exceptionally crafted Ru-ware vase from the Northern Song Dynasty exhibits a round mallet form and is distinguished by its sky-after-rain glaze. Commissioned as a tribute piece for Emperor Huizong and his esteemed court, this vase features fire-gilded copper bands encircling both the rim and base, which display layered corrosion of reddish cuprite and green botryoidal malachite. Detailed microscopic analyses affirm the absence of agate within the glaze, providing definitive evidence of authenticity. Furthermore, the visible corrosion on the gilded copper band serves as a testament to the vase’s considerable age, offering a more reliable measure than thermoluminescence tests, which are often employed by experts to validate artifacts, as they cannot be easily replicated. The vase is adorned with a bluish-gray glaze accentuated by a greenish tint, exhibiting a fine crackle and a smooth texture, devoid of agate. The base of the vase features five minuscule spur marks, reminiscent of sesame seeds. This piece stands approximately 6 7/8 inches tall and is a rare remnant of Emperor Huizong's collection of Northern Song Imperial Ru ware. ppjrs
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Sky After Rain Glaze: Imperial Ru-Ware Tribute Spittoon Vessel
from the Northern Song Dynasty
This exceptionally crafted vessel, representing the hallmark of Northern Song Dynasty artistry, features a sky-after-rain glaze and is shaped as a spittoon. Originally commissioned as a tribute item for the Emperor and his court, this Ru ware artifact is adorned with fire-gilded copper bands encircling both the rim and base, indicative of its noble provenance. The vessel exhibits notable corrosion, characterized by layered reddish cuprite and green botryoidal malachite, reinforcing its historical significance. Microscopic analysis has confirmed the glaze's authenticity, unequivocally revealing the absence of agate; this is a critical detail upheld by experts in the field. Additionally, the corrosion on the gilded copper band substantiates the vessel's considerable age, serving as a more reliable indicator of authenticity than a thermoluminescence (TL) test. Such characteristics are integral to the careful assessment and verification of artifacts, as they cannot be artificially replicated. The glaze itself showcases a delicate bluish-gray coloration with a subtle greenish tint, complemented by an exceptionally fine crackle. The smooth texture of the glaze further enhances the overall aesthetic appeal. The vessel's base is marked with five diminutive spur marks, each approximately the size of a sesame seed. This distinguished piece has a diameter of approximately 4 3/8 inches and originates from a preserved hoard of Northern Song Imperial Ru ware. ppjrs
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Imperial Ru-Ware Tribute Burner with Red Glaze from the Northern
Song Dynasty
This exquisitely crafted Northern Song Dynasty Ru-wares red glazed burner, adorned with handles, represents a significant tribute piece intended for the Emperor and his Court. The burner features an elegantly fire-gilded copper band encircling the rim, which exhibits layered reddish cuprite and green botryoidal malachite corrosion, underscoring its historic significance. Accompanying microscopic examinations validate the absence of agate within the glaze, while the gilded copper band displays distinct cuprite and malachite corrosion, which serve as verifiable indicators of the piece's considerable age and authenticity. Such findings offer a level of reliability surpassing that of thermoluminescence testing and are widely accepted by experts as paramount criteria for authentication, rendering the piece impervious to forgery. The burner exhibits a striking red glaze, complemented by a fine crackle observable under magnification; notably, the glaze possesses a smooth texture and is devoid of agate in the glaze mix. The base of the burner showcases three minute spur marks, akin to sesame seeds in size, bottom an intricately carved tribute mark. With an approximate diameter of 4 3/4 inches, this remarkable artifact is recognized as a remnant from Emperor Huizong's surviving collection of Northern Song Imperial Ru ware. ppjrs
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Imperial Ru-Ware Tribute Bowl of the Northern Song Dynasty: Red
Glaze Edition
This exceptionally crafted Northern Song Dynasty Ru-ware red-glazed bowl features an impressive design of lotus leaves. Intended as a tribute bowl for the Emperor and his court, it is adorned with fire-gilded copper bands encircling both the rim and base. These bands exhibit layered cuprite and green botryoidal malachite corrosion, indicative of its significant age and authenticity. Accompanying microscopic photographs substantiate the absence of agate within the glaze, a crucial factor in authenticating the piece. The corrosion visible on the gilded copper band further validates its provenance, offering a reliability that surpasses conventional thermoluminescence (TL) testing, a method utilized by experts to establish the authenticity of artifacts. The bowl also displays a fine crackle pattern observable under magnification, while the glaze possesses a smooth texture devoid of agate. Its underside features three diminutive spur marks, approximately the size of sesame seeds. This exceptional piece measures approximately 5 inches in diameter and is part of a surviving collection of Northern Song Imperial Ru ware. ppjrs
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Northern Song Dynasty Red Glaze Imperial Ru-Ware Tripodal
Brush Washer for Tribute
This exquisite brush washer, crafted during the Northern Song Dynasty, exemplifies the exquisite artistry characteristic of Ru-ware with its stunning red glaze and meticulous craftsmanship. This particular piece was commissioned as a tribute to the Emperor and his court, underscoring its historical significance. The brush washer features a fire-gilded copper band encircling the elegantly designed rim, which exhibits layers of cuprite and green botryoidal malachite corrosion. Microscopic examinations substantiate the absence of agate in the glaze, while the corrosion visible on the gilded copper band further corroborates its considerable age and authenticity. This evidence is deemed more reliable than thermoluminescence (TL) testing and is the standard utilized by experts for verifying the legitimacy of artifacts, rendering it immune to forgery. The brush washer showcases a richly colored red glaze, exhibiting a fine crackle, discernible only under magnification. The texture of the glaze is notably smooth, with no indications of agate present. The underside of the piece reveals three minute spur marks, akin to sesame seeds, along with a carved tribute mark. This exceptional artifact measures approximately 5 inches in diameter and originates from the surviving collection of Emperor Huizong's Northern Song Imperial Ru Ware. ppjrs
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Imperial Ru-Ware Brush Washer from the Northern Song Dynasty with Red Glaze: An Expert Evaluation of a Tripod Tribute Artifact
This exceptionally crafted brush washer, distinguished by its finely potted Ru-ware and striking red glaze, hails from the Northern Song Dynasty. Created as a tribute to the Emperor and his Court, this piece features a fire-gilded copper band encircling the rim, showcasing layers of reddish cuprite and green botryoidal malachite corrosion. Accompanying microscopic analysis confirms the absence of agate within the glaze, while the gilded copper band exhibits evident cuprite and malachite corrosion, further substantiating its considerable age and authenticity. This method of verification is regarded as more reliable than a thermoluminescence (TL) test and is employed by experts to establish the genuineness of artifacts, as this corrosion pattern cannot be fabricated. The brush washer is adorned with a captivating red glaze that reveals an intricate, fine crackle when examined through a loupe, and its surface maintains a remarkably smooth texture. Additionally, the base features a carved mark, and the underside bears three minuscule spur marks, comparable in size to sesame seeds. This piece measures approximately 5 5/8 inches in diameter and is part of the surviving collection of Ru ware attributed to Emperor Huizong of the Northern Song Dynasty. ppjrs
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Imperial Ru-Ware Tribute Bowl from the Northern Song Dynasty
Featuring Red Glaze
This exquisitely crafted red-glazed Ru-ware bowl, originating from the Northern Song Dynasty, exemplifies exceptional artistry and historical significance. Designed as a tribute bowl for the Emperor and his Court, it features fire-gilded copper bands meticulously applied around both the rim and base. These bands exhibit layered corrosion of reddish cuprite and green botryoidal malachite, indicative of the bowl's considerable age and authenticity. Supporting microscopic photography has verified the absence of agate within the glaze, further substantiating the bowl's genuineness—a method regarded by experts as more reliable than a thermoluminescence (TL) test and resistant to counterfeiting. The bowl's red glaze displays a refined crackle visible under magnification, paired with a smooth texture devoid of agate inclusions. The base of the bowl is marked by three diminutive spur marks, akin in size to sesame seeds, and bears a carved tribute designation. The dimensions of this remarkable piece are approximately 5 1/2 inches in diameter. This artifact is a noteworthy remnant of Emperor Huizong's revered collection of Northern Song Imperial Ru ware. ppjrs
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Northern Song Dynasty Elegant Red Glaze Imperial Ru-Ware Tribute
Spittoon Form Vessel
An exceptionally crafted and aesthetically striking red-glazed Ru-ware spittoon, dating back to the Northern Song Dynasty, exemplifies the artistry of this period. This vessel, created as a tribute for the Emperor and his court, features intricately crafted fire-gilded copper bands encircling both the rim and base. Notably, these bands exhibit layered corrosion of reddish cuprite and green botryoidal malachite, indicating significant antiquity. Microscopic inspections confirm the absence of agate within the glaze, reinforcing the authenticity of this exquisite piece. The held gilded copper band prominently displays corrosion patterns of cuprite and malachite, which serve as a more reliable indicator of age than thermoluminescence (TL) testing; such evidence is universally recognized by experts as a definitive measure of an artifact's authenticity, impervious to forgery. The vessel is adorned with a rich red glaze exhibiting finely detailed crackle patterns, observable under magnification, alongside a notably smooth texture. Its base is marked by three minute spur marks, comparable in size to sesame seeds, and is accompanied by a carved tribute mark. This remarkable artifact measures approximately 4 1/8 inches in diameter and is part of the surviving collection of imperial Ru Ware from the reign of Emperor Huizong. ppjrs
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Imperial Ru Ware Moonlight White Tribute Burner from the
Northern Song Dynasty
This exceptionally refined tribute Ru-ware burner features a striking Moonlight white glaze, characterized by its soft and smooth texture. Notably, the glaze is devoid of agate in the mix, and the lid is elegantly adorned with a fire-gilded copper band. Such fire-gilded bands are indicative of tribute wares commissioned for the Emperor and his court. The fire-gilded copper band has undergone minimal cleaning, revealing layered corrosion in reddish cuprite and green malachite, which further substantiates its historical significance. Accompanying microscopic images verify the absence of agate in the glaze, while the gilded band exhibits discernible corrosion—evidence of its considerable age. This method of examination is deemed more reliable than Thermoluminescence (TL) testing and is the standard employed by experts to ascertain the authenticity of artifacts, ensuring that this piece cannot be counterfeited. Additionally, the burner displays five diminutive spur marks, each resembling the shape and size of a sesame seed. This remarkable tribute burner stands approximately 4.5 inches tall and forms part of the surviving collection from Emperor Huizong's Northern Song Imperial Ru-Ware. ppjrs
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Imperial Ru Ware Moonlight White Tribute Vase from the Northern
Song Dynasty
This exquisite tribute vase, crafted in the esteemed Ru ware tradition, features an exceptionally fine moonlight white glaze, characterized by its soft and smooth texture without the presence of agate in the glaze mix. The rim and base are elegantly adorned with fire-gilded copper bands, a hallmark of tribute wares dedicated to the Emperor and his court. Upon examination, the gilded bands display slight cleaning, revealing layered reddish cuprite and green malachite corrosion, indicative of the vase's significant age. Accompanying microscopic photographs further substantiate the absence of agate within the glaze. The corrosion patterns on the gilded copper bands are reliably used by experts to authenticate historical artifacts, offering a level of assurance that surpasses that of thermoluminescence (TL) testing. Notably, the vase exhibits five diminutive spur marks, resembling sesame seeds in both shape and size. This remarkable piece stands approximately 6 1/4 inches in height and remains a part of the surviving hoard of Northern Song Imperial Ru ware from the era of Emperor Huizong. ppjrs
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Imperial Ru Ware Moon-Glazed Tribute Vase in the Form of a Mallet
from the Northern Song Dynasty
This exceptionally fine tribute Ru-ware vase, crafted in a mallet form, features a remarkably soft and smooth moonlight white glaze, devoid of any agate in the glaze mix. The vase is elegantly adorned with a single fire-gilded copper band encircling the rim. It is important to note that all Ru ware featuring fire-gilded bands is designated as tribute ware, historically presented to the Emperor and his court. The gilded band exhibits slight cleaning, revealing layered corrosion of reddish cuprite and green malachite, indicative of the piece's significant age. Accompanying microscopic photographs substantiate the absence of agate within the glaze, while the observable corrosion on the gilded band serves as a reliable marker of authenticity, considered superior to thermoluminescence (TL) testing by experts in the field. This authenticity cannot be replicated. Additionally, the vase bears five-minute spur marks, consistently shaped and sized like sesame seeds. Standing approximately 7 inches tall, this piece is a notable relic from Emperor Huizong's surviving collection of Northern Song Imperial Ru-ware. ppjrs
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Imperial Ru Ware Moonlight White Tribute Vessel from the
Northern Song Dynasty
This exceptionally refined tribute vessel, crafted in Ru-ware, features intricately designed dragon handles and exhibits a pristine moonlight white glaze. The glaze is characterized by its soft and smooth surface, devoid of any agate in the glaze mix. Notably, the vessel boasts two fire-gilded copper bands encircling both the rim and the base, which are indicative of tribute wares specifically created for the Emperor and his court. The gilding has undergone minimal cleaning, revealing layered corrosion of reddish cuprite and green malachite, further substantiating its antiquity. Accompanying microscopic documentation confirms the absence of agate within the glaze, while the visible corrosion on the gilded copper band serves as a reliable testament to the vessel’s authenticity, surpassing the validity of a thermoluminescence test as established by expert standards. Additionally, the vessel features three-minute spur marks, resembling sesame seeds in both shape and size. This tribute piece stands at approximately 4 3/8 inches in height and is part of the surviving collection of Emperor Huizong's Northern Song Dynasty Imperial Ru-Ware. ppjrs
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Imperial Ru Ware Moonlight White Vase with Dragon Handles from
the Northern Song Dynasty
This exquisite tribute vase exemplifies the artistry of Fine Moonlight White Glaze Ru-ware, characterized by its elegant, soft, and smooth surface devoid of agate in the glaze mix. The vase features fire-gilded copper bands adorning both the rim and base, indicating its status as a tribute piece presented to the Emperor and his court. Notably, the gold bands exhibit signs of minimal cleaning, revealing layered reddish cuprite and green malachite corrosion, which serve as indicators of the vase's significant age. Accompanying microscopic analysis corroborates the absence of agate in the glaze, while the observable corrosion on the gilded copper band reassures collectors of its authenticity. This method of verification is deemed more reliable than a thermoluminescence (TL) test and is widely accepted among experts in the field for determining the provenance of artifacts, thus mitigating the risk of forgery. The vase is adorned with five diminutive spur marks resembling the shape and size of sesame seeds. Standing at approximately 5 1/2 inches in height, this distinguished piece originates from the surviving hoard of Emperor Huizong’s Northern Song Imperial Ru-ware collection. ppjrs
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Imperial Ru Ware Moonlight White Tribute Stem Cup from the
Northern Song Dynasty
This esteemed tribute stem cup, crafted in the exceptionally fine moonlight white glaze characteristic of Ru-ware, presents an exquisite and smooth finish devoid of agate in its glaze composition. The vessel features a fire-gilded copper band encircling both the rim and the base, indicative of its status as a tribute item to the Emperor and his court. Notably, the fire-gilded bands exhibit remnants of careful cleaning and showcase layered corrosion, including reddish cuprite and green malachite, which serve as tangible evidence of the cup's considerable age. Accompanying microscopic images substantiate the absence of agate within the glaze, while also revealing the distinct corrosion on the gilded copper band. This method of analysis is regarded as more reliable than a thermoluminescence (TL) test and is widely accepted by experts for authenticating artifacts, as it cannot be artificially replicated. The stem cup is adorned with five minuscule spur marks, reminiscent of sesame seeds in shape and size. With an approximate height of 4 1/4 inches, this piece originates from the surviving hoard of Northern Song Imperial Ru-ware commissioned by Emperor Huizong. ppjrs
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Ru Ware Moonlight White Tribute Phoenix Handles Vase
This exquisite tribute vase exemplifies the artistry of Ru-ware, characterized by its exceptionally fine moonlight white glaze that is both soft and smooth, devoid of any agate in mix. The vase features fire-gilded copper bands encircling the rim and base, a hallmark of tribute wares crafted for the Emperor and his court. The fire-gilded bands have undergone minimal cleaning, displaying layered corrosion attributable to cuprite and malachite, thereby underscoring the vase's significant age. Accompanying microscopic photographs verify the absence of agate in the glaze, and the corrosion on the gilded copper bands further corroborates the vase's authenticity. This method of verification is deemed more reliable than thermoluminescence (TL) testing and is the standard practice among experts in the field. In addition, the vase features five minuscule spur marks, reminiscent of sesame seeds in both shape and size. The overall height of this remarkable piece is approximately 6 inches, and it is recognized as part of the surviving collection of Northern Song Imperial Ru-ware from the reign of Emperor Huizong. ppjrs
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Northern Song Dynasty Imperial Ru Ware Moonlight White Tribute
Cong Vase
This exquisite tribute vase is a finely crafted example of Ru-ware, distinguished by its exceptionally delicate moonlight white glaze, free of any agate within the glaze composition. The vase features two fire-gilded copper bands encircling both the rim and the base, characteristic of tribute wares commissioned for the Emperor and his court. Notably, the fire-gilded bands exhibit some signs of cleaning and show layers of reddish cuprite and green malachite corrosion, indicating their considerable age. Supplemental microscopic photographs corroborate the absence of agate in the glaze, and the observable cuprite and malachite corrosion on the gilded copper bands serve as a testament to the vase’s authenticity. This method of validation is recognized by experts as being more reliable than thermoluminescence (TL) testing, thereby ensuring the vase's status as a genuine artifact that cannot be fabricated. Additionally, the vase is marked with five diminutive spur marks, resembling the shape and size of sesame seeds. The tribute vase stands approximately 6 ¾ inches tall and originates from the surviving collection of Emperor Huizong's Northern Song Imperial Ru-ware. ppjrs
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Imperial Ru Ware Hexagonal Vase from the Northern Song Dynasty:
Moonlight White Tribute Edition
This exquisite tribute vase embodies the hallmark characteristics of Ru-ware, featuring a finely crafted hexagonal form and an exceptionally refined moonlight-white glaze. Notably, the glaze formulation contains no agate, ensuring its authenticity and adherence to traditional production techniques. Adorning the top and bottom of the vase are two elegantly fire-gilded copper bands, a distinctive feature reserved for tribute wares presented to the Emperor and his court. These bands exhibit some signs of cleaning, revealing layered corrosion indicative of reddish cuprite and green malachite, adding to the piece's historical significance. Accompanying microscopic analysis has confirmed the absence of agate within the glaze, and the visible corrosion on the gilded copper bands further substantiates the vase's age. Such evidence is deemed more reliable than a thermoluminescence test and is widely utilized by experts for determining the authenticity of artifacts, rendering replication unfeasible. The vase is also characterized by ring handles and five diminutive spur marks, resembling sesame seeds in both shape and size. Measuring approximately 6 1/4 inches in height, this remarkable piece originates from the surviving collection of Ru-ware attributed to Emperor Huizong of the Northern Song Dynasty. ppjrs
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Imperial Ru Ware Sky Blue Glazed Tribute Vase of the Northern
Song Dynasty
This exquisite sky-blue glazed Ru-ware vase, renowned for its elegant form, exemplifies the artistry of tribute porcelain. The vase features a remarkably soft and smooth glaze, devoid of any agate in the glaze mix. It is adorned with fire-gilded copper bands encircling the rim, an indication of its status as tribute ware presented to the Emperor and his court. The gilded bands reveal layered corrosion consisting of reddish cuprite and green botryoidal malachite, further emphasizing the vase's antiquity. Microscopic analysis has definitively verified the absence of agate within the glaze, while the corrosion on the gilded copper band—a clear manifestation of cuprite and malachite—serves as incontrovertible evidence of the vase's age. This method surpasses thermoluminescence testing in reliability, as it is widely utilized by experts to authenticate artifacts, ensuring the provenance of this piece cannot be fabricated. Additionally, the vase displays five-minute spur marks, akin to sesame seeds, further attesting to its craftsmanship. Standing approximately 7 1/8 inches tall, this remarkable artifact originates from the surviving collection of Emperor Huizong of the Northern Song Dynasty. ppjrs
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Imperial Ru Ware Tribute Vase with Sky Blue Glaze from the
Northern Song Dynasty
This exceptionally refined sky-blue glazed tribute Ru-ware vase features dragon handles and exemplifies the artistry and craftsmanship of the highest caliber. The vase is characterized by its exquisite, soft, and smooth glaze, which contains no agate within the glaze composition. Notably, it is adorned with two fire-gilded copper bands encircling the rim and base, indicative of its status as a tribute piece dedicated to the Emperor and his court. The fire-gilded copper bands have undergone minimal cleaning, revealing layered reddish cuprite and green malachite corrosion. Accompanying microscopic photographs provide definitive evidence of the absence of agate in the glaze, while distinctly showcasing the cuprite and malachite corrosion on the gilded bands. Such evidence substantiates the vase's considerable age, offering a level of reliability that surpasses thermoluminescence (TL) testing. This is a standard employed by experts to ascertain the authenticity of artifacts, as such characteristics are inherently unreplicable. Further examination reveals five-minute spur marks, each comparable in size to sesame seeds. The vase stands at an approximate height of 5 3/4 inches and is a remarkable remnant from Emperor Huizong's collection of surviving Northern Song Imperial Ru-ware. ppjrs
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Imperial Ru Ware Tribute Brush Washer with Sky Blue Glaze
from the Northern Song Dynasty
This exquisite sky-blue glaze tribute to Ru-ware three-foot brush washer exemplifies the artistry and craftsmanship of the era. It showcases a remarkably soft and smooth glaze, devoid of any agate in the glaze mix. The piece features a fire-gilded copper band encircling the rim, adorned with nail mark decorations characteristic of its period. It is important to note that all Ru ware items with fire-gilded bands are considered tribute wares presented to the Emperor and his court. The gilded bands have undergone careful cleaning, revealing layered reddish cuprite and green malachite patina, which serves as evidence of its considerable age. Accompanying microscopic analysis has definitively confirmed the absence of agate within the glaze. Furthermore, the visible cuprite and malachite corrosion on the gilded copper band provides an additional layer of verification. This method of analysis is widely regarded by experts as more reliable than thermoluminescence (TL) testing for authenticating artifacts, rendering replication unattainable. This brush washer stands on three legs and features five-minute spur marks, each comparable in size to sesame seeds. The diameter of this significant piece is approximately 5 5/8 inches. It originates from the surviving collection of Emperor Huizong's Northern Song Imperial Ru-Ware, making it a remarkable artifact of historical importance. ppjrs
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Imperial Ru Ware Sky Blue Glaze Brush Washer from the Northern
Song Dynasty
This exquisite sky-blue glaze tribute to Ru-ware brush washer exemplifies the artistry of its era. The piece features a delicate, smooth glaze devoid of any agate in the glaze mix. It is elegantly adorned with a fire-gilded band crafted from copper that encircles the rim. Notably, all Ru ware exhibiting fire-gilded bands are classified as tribute items presented to the Emperor and his court. The gilded copper band has undergone minor cleaning, revealing distinctive layers of reddish cuprite and green malachite corrosion, which serve as indicators of the piece's significant age. Accompanying microscopic photographs substantiate the absence of agate in the glaze, while the visible corrosion on the gilded copper band provides further evidence of its authenticity—a method recognized by experts as more reliable than thermoluminescence (TL) testing. The brush washer is supported by three legs and features three tiny spur marks akin to sesame seeds. With an approximate diameter of 5 ½ inches, this exceptional artifact originates from the surviving cache of N. Song Imperial Ru-ware associated with Emperor Huizong. ppjrs
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Sky-Blue Glaze Ru-Ware Stem Cup from the Northern Song Dynasty:
A Tribute Piece
This exquisite tribute Ru-ware stem cup features an exceptionally fine, sky-blue glaze characterized by its soft and smooth texture, devoid of any agate components within the glaze mixture. The piece is adorned with a fire-gilded copper band encircling both the rim and base. Notably, all Ru ware items exhibiting fire-gilded bands are regarded as tribute wares presented to the Emperor and his court. While the fire-gilded bands have undergone a light cleaning, they still display visible layers of reddish cuprite and green malachite corrosion, further attesting to their substantial age. Accompanying microscopic photographs provide definitive evidence of the absence of agate in the glaze, and the observed corrosion on the gilded copper band serves as a reliable indicator of authenticity—an assessment that surpasses the accuracy of thermoluminescence (TL) testing and is widely accepted among experts in the field. The stem cup features five minuscule spur marks, reminiscent of sesame seeds. This remarkable tribute stem cup stands at approximately 4 ¼ inches tall and originates from the surviving collection of Emperor Huizong's Northern Song Imperial Ru-ware. ppjrs
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Imperial Ru Ware Hexagonal Cup with Sky Blue Glaze from
the Northern Song Dynasty
This exceptionally fine sky-blue glazed tribute hexagon cup exemplifies Ru-ware craftsmanship. The piece is characterized by a soft, smooth glaze that exhibits no presence of agate within the glaze composition. Adorning the rim and base of the cup is a fire-gilded band over copper, indicative of its status as a tribute ware presented to the Emperor and his court. The gilded bands have undergone minimal cleaning, revealing layers of reddish cuprite and green malachite corrosion that attest to the cup's significant age. Accompanying microscopic photographs confirm the complete absence of agate in the glaze; furthermore, the corrosion on the gilded copper band is distinctly observable, providing a more reliable measure of authenticity than thermoluminescence (TL) testing, a criterion widely accepted by professionals in the field. The cup features two handles and displays five-minute spur marks, akin to sesame seeds in size. It stands at an approximate height of 2 3/4 inches. This remarkable piece originates from the surviving collection of Emperor Huizong's Northern Song Imperial Ru-ware. ppjrs
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Northern Song Dynasty Imperial Ru Ware Sky Blue Glaze Tribute
Brush Washer
This exceptionally refined sky-blue glazed tribute Ru-ware brush washer features three elegantly designed handles. The glaze exhibits a remarkably soft and smooth texture, devoid of any agate in the glaze mix. Encircling both the rim and the base is a fire-gilded band crafted from copper. It is important to note that Ru-ware items adorned with fire-gilded bands were specifically produced as tributes for the Emperor and his court. The gilded copper bands have undergone slight cleaning, showcasing layered corrosion in the form of reddish cuprite and green malachite. Accompanying microscopic examinations substantiate the absence of agate in the glaze, while the gilded copper band displays discernible signs of cuprite and malachite corrosion. Such evidence is indicative of the piece’s significant age and serves as a more reliable measure than thermoluminescence (TL) tests, as recognized by experts in the field for determining the authenticity of artifacts—this characteristic is inimitable. The brush washer is adorned with three dragon handles and features five spur marks, each approximately the size of a sesame seed. With a diameter of approximately 5 3/8 inches, this remarkable piece hails from the surviving collection of Emperor Huizong's Northern Song Imperial Ru-ware. ppjrs
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Imperial Ru Ware Sky Blue Glazed Lobed Bowl from the Northern
Song Dynasty
This exquisite sky-blue glaze tribute Ru-ware lobed bowl exemplifies exceptional craftsmanship and historical significance. The bowl features an elegantly smooth and soft glaze, with no agate present in the glaze composition. Accentuating its design is a fire-gilded copper band that encircles the rim, a hallmark of Ru ware created as tribute pieces for the Emperor and his court. The gilded band has undergone slight cleaning, and the presence of layered reddish cuprite and green malachite corrosion further attests to the bowl's considerable age. Accompanying microscopic photographs substantiate the absence of agate in the glaze. Moreover, the visible corrosion on the gilded copper band serves as a reliable indicator of authenticity, surpassing the precision of a thermoluminescence (TL) test, a criterion universally acknowledged by experts in the field. This lobed bowl is characterized by eight distinct lobes and features five-minute spur marks, each approximately the size of a sesame seed. The overall diameter of this remarkable piece is approximately 4 3/4 inches. This bowl is part of a surviving hoard from the Northern Song Dynasty Imperial Ru-ware collection. ppjrs
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Northern Song Dynasty Imperial Ru Ware Sky Blue-Glaze Tribute
Vase for the Emperor
This exceptional sky-blue glaze vase, attributed as a tribute to Emperor Huizong, exemplifies the esteemed Ru-ware tradition. The exquisite, velvety glaze devoid of agate accentuates the vase's refined aesthetic. Notably, it features two intricately fire-gilded copper bands adorning the rim and base, enhancing its overall elegance. The vase is inscribed on the bottom with the words "Feng Wang," signifying its purpose as a tribute to the Emperor. The fire-gilded bands have undergone minimal cleaning, exhibiting layered corrosion of reddish cuprite and green malachite, indicative of their antiquity. Accompanying microscopic analyses validate the absence of agate in the glaze. Furthermore, the visible corrosion on the gilded copper bands substantiates the vase's significant age, rendering it a more reliable measure of authenticity than thermoluminescence (TL) testing—widely accepted by experts in the field. The piece features five diminutive spur marks resembling sesame seeds, further illustrating its craftsmanship. This noteworthy tribute vase stands approximately 5 3/4 inches tall and is a remarkable artifact from the surviving hoard of Northern Song Imperial Ru-ware. ppjrs
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Imperial Ru Ware Brush Washer with Sky Blue Glaze from the Northern Song Dynasty, Featuring a Ribbed Design and Three Feet
This exceptional sky-blue glazed tribute Ru-ware ribbed brush washer exemplifies remarkable craftsmanship and artistry. Notably, this tribute piece features a soft and smooth glaze, entirely devoid of agate in the glaze composition. A fire-gilded copper band encircles the rim, a characteristic detail found in Ru ware attributed to the Emperor and his court. The fire-gilded copper bands have undergone minimal cleaning, revealing layered reddish cuprite and green malachite corrosion, which serve as indicators of the piece's considerable age. Accompanying microscopic photographs provide irrefutable evidence of the absence of agate in the glaze. Furthermore, the visible corrosion on the gilded copper band is a well-established criterion for assessing authenticity, surpassing the reliability of a thermoluminescence (TL) test and gaining acceptance among experts in the field. This ribbed brush washer is supported by three feet and exhibits three diminutive spur marks comparable to sesame seeds. The dimensions of this tribute piece approximate 5 3/4 inches in diameter. It is a noteworthy artifact from the surviving collection of N. Song Imperial Ru-Ware associated with Emperor Huizong. ppjrs
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Navigate Chinese Masterpieces Site Just Select Pages Below
The Inaugural Ceramics Commissioned by the Emperor in Chinese History: Guaranteed 100% Authenticity from the Northern Song Dynasty's Official Imperial Royal Ru Kiln Porcelain Collection – An Unmatched Provenance of Authenticity.
For All Enquiries Please Contact AGENT : Venizelos G. Gavrilakis, President,VENIS STUDIOS
Email Venizelos@ChineseMasterPieces.com
tel:+971 50 683 5877
I began my collection in the 1970s, and in the 1990s, I focused on acquiring an exceptional array of artworks from private Chinese sources. These sources faced severe persecution for possessing collections that were ancestral heirlooms, predating the Communist era. Among my holdings is the Official Commissioned Imperial Royal Ru Kiln Collection, originating from the collection of Emperor Huizong of the Northern Song Dynasty.
This collection features unique pieces that stand unparalleled in significance, as many of these forms have been previously unseen. The condition of these works is pristine; they are certified 100% authentic, with verifiable characteristics including cuprite and malachite corrosion on the fire-gilded copper bands, which took approximately 900 years to develop. This corrosion is readily observable with the naked eye, as is the crushed agate within the glaze, which can be examined with a 20x loupe. Despite the proliferation of Ru ware across the internet, numerous auction houses continue to erroneously classify these original pieces as fakes, perpetuating misinformation. It is essential to note that only Commissioned Official Royal Imperial Ru wares are genuinely rare. These pieces are not widely available online, and no Royal Imperial Ru wares have ever been offered at auctions. Any skepticism about the authenticity of these wares can be dispelled by recognizing that it would be impossible for any contemporary kiln in China to replicate such masterpieces. Throughout history, the only kiln capable of producing works of this caliber was the Royal Ru Kiln during the Northern Song Dynasty under Emperor Huizong. The second commissioned wares, characterized by unglazed foot rings that were fired flat in the kiln, include the featured Cong vase, which showcases fire-gilded copper bands exhibiting the aforementioned corrosion. The authenticity of these pieces is evident in their cuprite and malachite corrosion, which is readily visible, as well as the crushed agate in the glaze, identifiable with a 20x loupe. Expertise is not a prerequisite for recognizing these facts. It is important to highlight that all second-commissioned wares lack markings and possess an off-white biscuit that turns brownish upon firing. These wares are distinguished by their luxurious, smooth glaze, free from crackle, and display unique features such as fire-gilded copper bands. In my estimation, these second-commissioned wares represent the finest celadon wares and the most significant wares in China’s historical legacy. Emperor Huizong of the Northern Song Dynasty reigned from 1082 to 1135.
Examine and Review the Information Provided Below Thoroughly
The following series of close-up photographs presents the Cuprite and Malachite corrosion observed on the RU WARE copper fire-gilded bands. It is important to note that fire gilding, a process involving the application of gold and mercury, has not been employed since the mid-19th century due to its associated health risks. The characteristic patina visible on these bands has developed over approximately 900 years, rendering it virtually impossible to replicate artificially (referenced from David Scott's "Copper and Bronze in Art," Chapter 3, page 106). The natural progression from metal to cuprite and subsequently to malachite is complex and challenging to reproduce in a laboratory setting. Indeed, most methodologies for generating artificial green patinas on copper alloys, such as those catalogued by Hughes and Rowe (1982), do not yield malachite formation over a cuprite substrate. As such, the identification of this specific type of corrosion, corroborated by analytical and metallographic investigations, serves as a strong indicator of an artifact's authenticity. Additionally, microscopic images reveal the presence of minute reflective particles of crushed agate incorporated into the RU WARE glaze. Such reflections can also be discerned with a 20x loupe, with further evidence available in the microscopic photographs adjacent to each artifact image. Notably, only the Imperial Ru Wares that were officially commissioned feature crushed agate in their glaze. Pieces sold by auction houses typically do not exhibit this characteristic, as agate was not utilized in merchant wares. The finest merchant wares, equipped with fire-gilded copper bands, were presented as tributes to the Emperor. Meanwhile, flawed merchant wares were sold at reduced prices to the general populace, and those with severe defects were often destroyed. During the reign of Emperor Huizong, significant efforts were made to establish the Ru Kiln as a premier production facility for his personal commissions and those of his court, effectively designating it as the Official Royal Kiln. He specifically mandated the inclusion of rare blue agate in the glazes of all commissioned wares. These official pieces are generally larger and exhibit distinctive styles, forms, and glazes, many of which remain unparalleled in contemporary collections. Archaeological findings have confirmed the location of the Ru Kiln associated with merchant wares predating Emperor Huizong's commissions; however, the site of the Official Royal Ru Kiln has yet to be located.
Following the incursion of the Jin Army into the Northern Song Dynasty, it is believed that many Imperial Royal Kiln artisans migrated southward, with approximately half joining the Imperial Guan Kilns and the other half working at the Longquan Kiln. This migration contributes to the stylistic similarities observed between the renowned second-commissioned Royal Ru Kiln wares and those produced at Longquan. Notably, however, Longquan wares lack the crushed agate incorporation that characterizes the official Ru Wares.
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Below are 48 examples of Official Imperial Royal Ru Wares and Tribute Ru Ware Vases
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Understanding "Botryoidal Malachite" Patina
Formation of Fanlike Crystal Needles
Most crystals simply begin to grow using available molecules. This results in discrete crystals whose sizes depend on available material. But malachite is different. It seldom forms discrete crystals of good size. Instead, scientists say, developing malachite crystals “split”, diverging into tiny needles, packed together in a fanlike arrangement.
The fanlike malachite needles grow into tightly bonded spherules, which crowd together and bond, forming a solid mass. When the spherules stop growing and terminate, the top surface is rounded to some degree. The terms “botryoidal” (resembling a cluster of grapes) and “reniform” (kidney-shaped) are used to describe large to small undulating masses of spherules.
Author Bob Jones Holds the Carnegie Mineralogical Award, is a member of the Rockhound Hall of Fame, and has been writing for Rock & Gem since its inception. He lectures about minerals, and has written several books and video scripts.
WATCH
Click On Video Clip Proves Botryoidal Malachite Can't Be Faked! No one has ever faked this Botryoidal malachite patina only happens in nature. This Guaranties Authenticity Of This Imperial Royal Ru Ware Collection
Priceless Past WWW.pricelesspast.com
Link to Full Video https://youtu.be/5O-l6vY0dnc?si=FsHEJdKox0a1p0bH
An Analysis of Royal Imperial Ru Ware Commissioned and Collected by Emperor Huizong of the Song Dynasty During the Northern Song Period. ppjrs
Ancient Treasures: Ru Kiln Secrets Revealed!
Emperor Huizong reigned from 1100 to 1126, during which time he abdicated in favor of his son. He is renowned for his advocacy of Taoism and is celebrated for his exceptional talents in poetry, painting, calligraphy, and music. However, his Northern Song Empire ultimately succumbed to the advancing Jin armies, leading to his capture in 1127. Huizong died in captivity in 1135, having transitioned from the status of the world's wealthiest individual to that of a diminished man. After his death, his extensive collections were meticulously consolidated and preserved in large wooden crates, enduring through time.
Since China's opening in the 1990s, various historical collections have entered the marketplace. Notably, my collection of Imperial Ru ware originates from Emperor Huizong's personal assemblage. During his tenure, he commissioned the Ru Kiln to produce wares specifically for himself and his court, recognizing it as the foremost source of Imperial tribute wares. The tribute wares produced by the Ru Kiln during this era were distinguished by their remarkable quality, often devoid of defects. To further enhance their uniqueness, these wares incorporated a variety of colors and featured fire-gilded bands on the rims, occasionally on the bases. The gilding technique utilized gold and mercury, a method that has not been employed since the mid-1800s due to safety concerns. The intricacies of the fire gilded bands display complex corrosion patterns of cuprite and malachite, natural phenomena that are exceedingly difficult to replicate in laboratory settings. Established research underscores the challenges associated with the transformation from metal to cuprite to malachite, with most synthetic formulas failing to replicate malachite atop cuprite layers, thereby providing validation for the authenticity of such artifacts.
This innovation inspired other kilns to adopt similar techniques, incorporating fire-gilded bands in their tribute wares. Before the Ru Kiln attained its designation as the official Imperial kiln, its production primarily consisted of small wares that exhibited sporadic crackling and spur marks due to the firing process on stilts. Many of these pieces contained imperfections, resulting in the destruction of severely flawed items and the sale of lesser-quality wares to the public at reduced prices. Such flawed wares frequently appear in auctions conducted by Sotheby's and Christie's and are often showcased in museums housing Ru ware collections. Higher-quality pieces were sold at premium prices to affluent merchants. The finest wares were presented as tribute to Emperor Huizong, who received extravagant offerings from various kilns. Recognizing the demand for superior quality wares, Emperor Huizong designated the Ru Kiln as the first official Royal Imperial kiln in China.
His objective was to create wares that were distinctive and specifically intended for himself and his court. He sought pieces that echoed the historical celadon wares, aiming for a jade-like aesthetic reminiscent of Korean Koryo ceramics. After reviewing prototype pieces, he insisted on eliminating spur marks by firing the wares flat in the kiln with unglazed foot rings. Furthermore, he mandated the incorporation of rare blue crushed agate into the glaze, a feature unique to the official Royal Imperial wares commissioned by him. The initially commissioned wares displayed a grayish biscuit that transitioned to brown post-firing, with some pieces bearing inscriptions. These wares featured distinctive crack ice crackles. Emphasizing size and simplicity, these pieces were larger than previous tribute wares and showcased refined forms, such as trumpet-shaped mouths. Despite occasional flaws during the firing process, these Royal Imperial wares were exclusively designated for the Emperor and his court. As the official Imperial kiln, the Ru Kiln's focus was solely on producing wares for the Emperor and his court. Huizong appreciated the intrinsic beauty of these often flawed and simplistic pieces, recognizing their individuality akin to human character.
However, some of his advisors sought more visually appealing wares. Consequently, he tasked the Ru Kiln with creating the most exquisite celadon wares ever produced in China, emphasizing elegance and luxury in design. The second series of official Royal Imperial wares manifested in various celadon hues, adorned with rich glazes that seamlessly integrated rare blue crushed agate. Unlike the initial batch, these wares were meticulously crafted and largely free from prior defects, with exquisite forms and flat-fired unglazed foot rings. Selected special wares featured gilded copper or silver bands, enhancing their opulent appearance. Importantly, all second commissioned official Royal Imperial wares lacked specific markings. It must be emphasized that wares produced before the Ru Kiln’s designation as the official Imperial kiln do not contain agate in their glazes. Certain auction houses and museums mistakenly claim the presence of crushed agate in these earlier wares, fabricating narratives that assert its dissipation during the firing process. This assertion is fundamentally flawed, as agate requires excessively high temperatures for melting—far exceeding the maximum temperatures reached by Song dynasty kilns. Additionally, the practical difficulties associated with crushing agate into a fine powder contribute to the clear visibility of agate traces in authentic Royal Imperial Ru wares.
I have compiled a significant collection of Ru and Ju wares, artifacts that have remained largely concealed since the decline of the Northern Song Dynasty. The Qianlong Emperor's collection predominantly comprised flawed merchant wares developed before the Ru Kiln's establishment as the official Royal Imperial kiln. It is only since the 20th century and the reopening of China that many fine pieces, once obscured from view, have entered the marketplace. This narrative seeks to illuminate the complexities surrounding Ru and Ju Kiln wares in the context of Emperor Huizong's reign. For many years, scholars and collectors have relied on pieces from the Qianlong Emperor's collection; while aesthetically appealing, they do not accurately represent the authentic Royal Imperial Ru and Ju wares commissioned by Huizong for himself and his court.
In the aftermath of the Jin Army's incursion into the Northern Song Dynasty, workers from the Imperial Royal Kiln sought refuge in the southern region, with many likely contributing their skills to the Imperial Guan Kilns, while others joined the Longquan Kiln. Notably, this lineage accounts for the visual similarities observed between certain Longquan pieces and the second commissioned Royal Ru Kiln wares, although the Longquan products lack the characteristic crushed agate present in the latter's glazes.
Please examine all the information, photos, microscopic photos, that prove my conclusion.
The Ru-Wares Represent the First Commissioned Official Imperial Ceramics within China's Historical Context.
The first commissioned Royal Imperial Ru ware is thoroughly documented in historical texts, which indicate that Emperor Huizong instructed the Ru/ Ju Kiln to produce celadon wares characterized by modesty, understated elegance, and a deliberate simplicity that evokes a sense of antiquity. Notably, these initially commissioned Royal Imperial wares incorporated Rare Blue Crushed Agate into the glaze formulation. This can be discerned through the use of a 20x loupe, and microscopic photographs reveal the distinctive specks of agate found in each piece. The use of crushed agate is exclusive to the Official Royal Imperial Ru wares developed under Emperor Huizong's patronage. These early commissioned wares exhibit a variety of unique forms previously unseen, showcasing the remarkable skill and artistry of the Ru kiln artisans. The foot rings of all first official Ru wares remain unglazed. Additionally, each piece features a fine, cracked ice crackle in the glaze, with interior glazing also present. Many of these wares have marks inscribed on the bases, often inscribed, and the vases typically feature trumpet-shaped mouths, distinguished by their larger dimensions compared to merchant and tribute wares. The first commissioned Official Royal Imperial Ru wares are crafted from an ash-colored biscuit that transforms to brown upon firing. Furthermore, each piece exhibits the signature fine cracked ice crackle in the glaze, maintaining consistent interior glazing. Exclusively produced for the Emperor and his court, these wares reflect Emperor Huizong's appreciation for beauty in simplicity. He regarded each piece as an artwork, embracing any imperfections, which ultimately remained within the court as evidence of his vision's fulfillment. An illustrative close-up of a first commissioned Official Royal Imperial Ru vase depicts a droplet of glaze adhering to the foot ring, highlighting chips of Rare Blue Agate within the glaze. The accompanying ancient writings affirm the historical significance of these pieces as the legendary Official Royal Imperial wares commissioned by Emperor Huizong of the Song Dynasty. ppjrs
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Ru Kiln Imperial Tribute Wares: Exceptional Artifacts Presented to Emperor Huizong of the Northern Song Dynasty, Featuring Right
Three Exemplary Tribute Vases.
Tribute ware is typically small, characterized by its fire-gilded copper bands, which exhibit corrosion patterns of cuprite and malachite. These distinctive features serve as reliable indicators of their age, often considered more authentic than thermoluminescence (TL) tests, earning the trust of experts in the field for authenticity verification. The production of tribute wares involves a glazing process that encompasses the entire surface. Notably, the pieces are fired on setters equipped with prongs to elevate the items above the kiln floor, resulting in spur marks on the base that are approximately the size and shape of sesame seeds. The glaze on tribute wares is smooth and showcases no inclusion of crushed agate in the glaze. It is important to note that the presence of crushed blue agate in the glaze is exclusive to Commissioned Official Royal Imperial wares. Typically, tribute wares feature either an off-white or ash-colored biscuit, representing the finest quality merchant wares that were adorned with fire-gilded copper bands and presented as tribute to Emperor Huizong. ppjrs
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Sotheby's sold these two Flawed Northern Song Dynasty Ru Ware brush washers in Hong Kong. Now Christie's has sold a flawed Ru Ware Tea Bowl in Hong Kong. They should return the money
Second Commissioned Official Royal Imperial Ru-Wares Represent the Pinnacle of Celadon Production in China.
The Ru Kiln was commissioned to produce the exquisite second series of official Royal Imperial Celadon wares for Emperor Huizong and his court. These wares are characterized by their elegance, luxury, and aesthetic beauty, surpassing both merchant and tribute wares in refinement and size, while consistently showcasing a distinctive celadon hue. Notably, all pieces from this second series are infused with rare crushed blue agate within their glaze, an element observable through a 20x loupe, as evident in the microscopic photographs accompanying each piece. The use of crushed blue agate is exclusive to the Official Imperial Ru wares developed during Emperor Huizong’s reign. Furthermore, these second commissioned Royal Imperial wares exhibit a variety of unique forms that underscore the exceptional craftsmanship of the Ru kiln. The foot rings of these wares are unglazed and were intentionally fired flat within the kiln. Two vases feature fire gilding over copper bands exhibiting corrosion from cuprite and malachite, which serves as a reliable indicator of the artifact's age, more credible than thermoluminescence (TL) tests and widely acknowledged by experts to verify authenticity—an attribute that is impossible to replicate. It is important to note that all second-commissioned Royal Imperial wares are unmarked. They possess an off-white biscuit that transitions to a brownish tone post-firing. The wares exhibit a rich, smooth glaze with no crackling, while some pieces feature fire gilding over copper bands, and those without bands likewise maintain a flawless glaze. The vase displayed, adorned with a gilded silver band, shows minimal cracking, restricted to a few fine lines. The gilded silver band, exhibiting a darker celadon glaze enhanced with rare blue crushed agate, is visible under magnification. The fire gilding on silver bands has pores in the gild, allowing tarnish to seep through the pores, resulting in pronounced black corrosion on the bands. ppjrs
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Ru-Kiln merchant wares are distinguished by their fine quality; however, they are primarily positioned in the market for affluent merchants, while items with imperfections are made available to the broader public at substantially lower prices.
The three Ru Kiln pieces displayed are examples of Merchant wares. Previously, the only known specimens of such wares were those collected by the Qianlong Emperor during the Qing Dynasty. However, following China's integration into the global market, numerous exquisite pieces and collections that had been concealed have now become accessible. Merchant wares are typically smaller than Commissioned Royal Imperial wares and exhibit complete glazing, including the foot ring. These items were fired using setters equipped with prongs, which elevated the pieces above the kiln floor. Consequently, they display spur marks that are approximately the size and shape of sesame seeds—distinctive traits that are exclusive to merchant and tribute wares. It is important to note that merchant wares lack the refinement of tribute wares, as the most exquisite examples were adorned with fire-gilded copper bands and presented to Emperor Huizong as tribute. ppjrs
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