Fine Important Imperial Ming Dynasty Porcelain

Exceptional Cloisonné Jar and Lid with Fish Motif from the Ming Dynasty, Mark and Period of Jiajing

Joseph.Sharon@chinesemasterpieces.com

This exceptional Jiajing Cloisonné Fish Jar with Lid, distinguished by its remarkable rarity and importance, originates from the Ming Dynasty. The Jiajing period, spanning from 1522 to 1566, is renowned for its exquisite Fish Jars, and this particular piece exemplifies the mastery of cloisonné craftsmanship. The jar exhibits minor flaking in the biscuit, a testament to its historical authenticity. This extraordinary work of art stands at an impressive height of 15 1/2 inches. ppjrs

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Imperial Blue and White Ming Dynasty Jiajing Mark and Period Jar and Lid Featuring Fish Amidst Aquatic Vegetation

Joseph.Sharon@chinesemasterpieces.com

This exceptional jar, originating from the Ming Dynasty and specifically produced during the Jiajing period (1522-1566), is a finely crafted blue and white Guan jar featuring a motif of fish among aquatic weeds. Notably, the Jiajing era is characterized by the use of imported Mohammedan blue cobalt, which was distinguished by its unique purple hue and became increasingly scarce by the early 17th century. The jar displays evidence of age through flaking in the biscuit, enhancing its authenticity and historical significance. This exquisite piece stands at a height of 15 1/4 inches. ppjrs

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Imperial Blue and White Ming Dynasty 15th Century Chenghua Windswept Mark and Period Figure Jar 

Joseph.Sharon@chinesemasterpieces.com

This exceptional piece is a noteworthy example of an Imperial Ming Dynasty blue and white guan jar, specifically dating back to the 15th century and marked from the Chenghua period (1465-1487). The jar features four distinct decorative panels: the first showcases lotus leaves; the second depicts water with horses soaring amidst clouds; the principal panel illustrates a narrative scene accompanied by a six-character Chenghua mark; while the base presents a water-themed design. The craftsmanship is evident in the dynamic portrayal of the figures, particularly the flowing robes that suggest movement in the wind. Furthermore, the original method of joining the jar can be discerned from visible luting marks. The base exhibits a mottled appearance, indicating a degree of burning during the firing process. The overall height of the piece is approximately 11 3/4 inches. Chenghua blue and white ceramics are renowned as the most desirable examples produced in China, distinguished by the exquisite cobalt blue pigment characteristic of this era. The cobalt used is notable for its distinct blackish hue, derived from imported Somali blue cobalt, which was blended with locally sourced cobalt called Pitang to enhance stability, minimizing the risk of color running. Unlike vessels from previous periods, Chenghua ceramics typically avoid the heaping and piling effects due to the meticulous refinement of their cobalt. This cobalt, historically sourced from Persia, has not been imported into China for over five centuries since the conclusion of the Chenghua period. Chenghua wares are recognized for their fine outlines and broad brush strokes that exhibit a spontaneous style. The clay composition was superior to that of earlier periods, and the use of high-firing kilns resulted in larger pieces often showcasing unglazed bottoms with a burnt or mottled finish, while glazed bases may appear undulating. Upon close inspection, the glaze displays a uniform surface with minute bubbles visible under magnification. This particular piece also demonstrates signs of flaking in the biscuit body, further confirming its age and authenticity.

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Significant Imperial Blue and White Meiping Story Vase from the 15th Century Ming Dynasty, Chenghua Mark and Period 

Joseph.Sharon@chinesemasterpieces.com  

This exceptional masterpiece represents a Blue and White Meiping Story Vase from the Chenghua period, marked and produced during the reign of the Ming Dynasty, specifically between 1465 and 1487. The vase stands approximately 13 3/4 inches tall. For collectors and connoisseurs, it is advisable to reference auction catalogs, scholarly texts, and museum collections, as it is unlikely that a comparable Chenghua Meiping vase has been published or exhibited elsewhere. The vase showcases a remarkable form and vibrant color, adorned with expertly executed freestyle brushstrokes characteristic of the finest Chenghua ceramics. The blue and white wares produced during this esteemed period are among the most coveted examples of Chinese porcelain. The exceptional cobalt pigment utilized is a distinguishing feature, providing a unique blackish tone derived from imported cobalt, believed to be samali blue from Persia. This specific cobalt has not been imported for over five centuries, marking the rarity of such pieces. In addition, a local cobalt known as Pitang was employed, with the combination of both pigments yielding a variety of refined hues. Chenghua artisans were notable for their meticulous use of fine outlines filled in with broad strokes. The refinement of clay and the high-temperature kilns of this era contributed to distinct characteristics, including occasional burning or mottling visible on the unglazed bottoms of larger vessels. When glazed, some bottoms may exhibit a wavy appearance, particularly under light. This particular glaze is exceptionally fine, featuring tiny, uniform bubbles identifiable through the use of a loupe, further confirming its authenticity and age. The presence of flaking in the biscuit underscores the vase's historical significance. It is a testament to the pinnacle of Imperial blue and white Chenghua wares, a category unparalleled in its artistry and quality. 

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 Imperial Pair of Blue and White Vases from the 15th Century Ming Dynasty, Marked and Period Chenghua 

Joseph.Sharon@chinesemasterpieces.com  

This exceptional pair of Blue and White Ming Dynasty Meiping vases, marked and produced during the Chenghua period (1465 - 1487), exemplifies the pinnacle of Imperial craftsmanship. The vases feature an elegant form and striking coloration, adorned with meticulously controlled brushwork that is characteristic of the finest Chenghua ceramics. Upon close inspection, flaking within the biscuit is evident, observable through a loupe, indicating the substantial age of these vases. Renowned for their desirability, these blue and white wares represent the most coveted examples produced in China’s history. The distinctive cobalt hue employed during the Chenghua period sets these pieces apart from others, showcasing a unique blackish tone derived from the imported cobalt known as Samali blue, believed to have origins in Persia, though its exact provenance remains uncertain. This particular cobalt source has not been utilized for over five centuries. Additionally, during the Chenghua period, a local cobalt pigment known as Pitang was also used. The tendency of the imported cobalt to run prompted artisans to achieve color stability by blending it with local varieties, resulting in a refined palette. Chenghua wares are notable for their delicate outlines and expansive brush strokes, a technique that reflects an evolution in artistic expression. The refinement of clay during this era surpassed previous periods, and the high-temperature kilns employed often resulted in a burnt or mottled appearance on the unglazed bottoms of many vessels. Those with glazed bottoms exhibit a wavy texture, particularly visible when illuminated. The glaze of these vases is particularly noteworthy for its fine quality and uniform bubble formation, detectable under magnification. It is important to recognize that true Imperial blue and white Chenghua wares represent the zenith of this illustrious tradition. These Meiping vases stand at a height of 7 ½ inches. ppjrs

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Imperial Chenghua Sweet White Porcelain Plate from the 15th Century Ming Dynasty, Featuring Subtly Impressed Dragon Mark and Period

Joseph.Sharon@chinesemasterpieces.com

This plate, an exceptional example of 15th-century Ming Dynasty Chenghua Sweet White Porcelain, features a discreetly impressed dragon design at its center, visible only in light reflections. The plate exhibits flaking in the biscuit, further attesting to its age and authenticity. Its dimensions are approximately 14 1/4 inches in diameter. ppjrs

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Joseph.Sharon@chinesemasterpieces.com

**Very Fine Mark and Period Chenghua Palace Bowl** This exquisite Chenghua Palace Bowl features the highly sought-after samali blue cobalt, a characteristic pigment distinguished from contemporary Chinese cobalt by its unique coloration, originating from the Yuan and early Ming dynasties. The craftsmanship involved in Chenghua wares is noteworthy; artisans expertly refined the cobalt, eliminating the heaping and piling that often disrupts the surface glaze. Additionally, they blended imported cobalt with local Pitang cobalt, resulting in a remarkable array of refined color tones. It is important to note that the imported cobalt utilized in these wares has not been available for over five centuries, rendering any modern imitation impossible. Serious collectors should possess a keen understanding to accurately identify these pieces. The artistry exhibited by Chenghua potters in their refinement of imported cobalt produces a spectrum of beautiful tones that are easily recognizable compared to items from other periods. This particular bowl exhibits flaking in the biscuit, confirming its considerable age. It is currently available for purchase and measures approximately 5 5/8 inches in diameter. Should you have any inquiries regarding this remarkable bowl, please do not hesitate to reach out. ppjrs

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15th Century Ming Dynasty Chenghua Mark & Period Imperial Doucai 
Porcelain Phoenix Tian Jar 

Joseph.Sharon@chinesemasterpieces.com

This exquisite doucai Tian jar, marked and produced during the Chenghua period of the Ming Dynasty, is a remarkable antique featuring a phoenix in flight amidst peonies and floral scrolls. The term "doucai" refers to the technique of using contrasting colors, characterized by underglaze blue outlines complemented by a harmonious application of colored enamels, embodying the whimsical style of Chenghua artisans. The craftsmen of this era were known for their innovative use of colors and techniques. Notably, the underglaze blue employed in this piece is derived from an imported cobalt known as Samali blue, blended with local pitang cobalt. This combination resulted in the creation of an exceptionally refined cobalt blue, which is easily distinguishable from other cobalts used in Chinese ceramics. The Samali blue has not been imported for over five centuries, and its precise origins in Persia remain uncertain. High-temperature firing was utilized during the production of this jar, often resulting in a brownish hue on the foot ring and a slightly undulating base that can appear varied in different lighting conditions. Furthermore, the presence of flaking in the biscuit adds to the jar’s authenticity and age. The base of the jar bears the Tian mark, which translates to "Heaven." The Chenghua period is widely regarded as the zenith of the doucai technique in Chinese ceramic history. This Ming Dynasty Chenghua Period Tian jar, featuring a majestic phoenix, stands at an approximate height of 5 3/8 inches. ppjrs

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15th Century Ming Dynasty Chenghua Imperial Doucai Porcelain Tian Jar with "Three Friends of Winter" Mark and Period 

Joseph.Sharon@chinesemasterpieces.com

This exquisite antique doucai Tian Jar, renowned for its artistry, exemplifies the highest standards of craftsmanship from the Ming Dynasty's Chenghua period. The term "doucai," which translates to "contrasting colors," refers to the technique employed in its creation—utilizing underglaze blue outlines that are meticulously filled with colorful enamel. This harmonious execution results in a visually captivating and whimsical aesthetic. The design prominently features the "Three Friends of Winter," which includes the Pine, Bamboo, and Prunus branches. Notably, the underglaze blue employed in this piece is derived from the imported cobalt known as Samali blue. This high-quality cobalt was combined with local pitang cobalt, resulting in a refined shade that is celebrated as one of the most beautiful cobalt blues in Chinese history. The distinctiveness of this shade, characteristic of the Chenghua period, sets it apart from other cobalt variations utilized in China. It is noteworthy that the importation of Samali blue has not occurred for over 500 years, and its origin in Persia remains uncertain. The clay used for the finest doucai wares from the Imperial Chenghua Kiln exhibits a slightly off-white hue, reminiscent of bone, which is evident upon close inspection. Additionally, the kiln’s high firing process often resulted in brownish foot rings, and the base may present a subtle waviness under specific lighting conditions. The Chenghua mark inscribed on the base signifies "Heaven," further adding to its significance. This Tian Jar is a testament to the pinnacle of the doucai technique during the Chenghua era, affirming its exceptional quality and design. Measuring approximately 5 1/8 inches in height, this remarkable piece also exhibits flaking in the biscuit, a testament to its age and authenticity. The jar indeed stands out as an extraordinary artifact of the Ming Dynasty.

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Imperial Doucai Porcelain: 15th Century Ming Dynasty Chenghua Mark and Period Tian Jar Featuring Mythical Creatures

Joseph.Sharon@chinesemasterpieces.com

This exceptional doucai Tian Jar from the Ming Dynasty, attributed to the Chenghua Mark and Period, features mythological creatures gracefully soaring among clouds above water. The term "doucai" refers to the artistic technique that utilizes contrasting colors. In this instance, underglaze blue outlines are meticulously filled with colored enamels, resulting in a composition that is both harmonious and aesthetically pleasing, characteristic of the whimsical style of Chenghua artisans. During this period, craftsmen experimented with various colors and techniques, achieving remarkable results. Notably, the underglaze blue is composed of imported cobalt known as Samali blue, mixed with locally sourced cobalt known as pitang. This unique combination produced what is widely regarded as the most exquisitely refined cobalt blue in Chinese history, making it easily distinguishable from other cobalt variations utilized throughout China's ceramic production. It is important to note that the importation of Samali blue ceased over 500 years ago, and its origin in Persia remains uncertain today. The jar showcases evidence of high-temperature firing, which often results in a distinct brownish hue on the foot ring; variations in the base can also be seen under certain lighting conditions. Additionally, the presence of flaking in the biscuit signifies the jar's considerable age. The base of the jar is marked with the character "Tian," symbolizing "Heaven." The Chenghua period is recognized as the zenith of the doucai technique, and this Ming Dynasty Chenghua Period Tian Jar stands at an approximate height of 5 inches, embodying the artistry and sophistication of its time. ppjrs

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15th Century Ming Dynasty Chenghua Period Imperial Doucai Porcelain Phoenix Bottle

Joseph.Sharon@chinesemasterpieces.com

This exquisite Chinese antique doucai phoenix bottle, dating from the early Chenghua period, exemplifies the sophistication of Ming dynasty artistry. The term "doucai" refers to the use of contrasting colors achieved through underglaze blue outlines complemented by meticulously applied colored enamels, resulting in a visually harmonious and whimsical style. Crafted in the early Chenghua period, this bottle reflects the experimentation in color and technique characteristic of Chenghua artisans. The clay utilized during this era was notably whiter, while the glaze exhibited a distinct bluish tint. The bottle is thinly potted, showcasing the delicate craftsmanship of the period. The underglaze blue is derived from imported cobalt known as Samali blue, which was skillfully blended with local cobalt from Pitang. This combination produced a refined cobalt blue that remains unmatched in the history of Chinese ceramics and is easily distinguishable from other cobalt variations employed in China. Notably, Samali blue has not been imported for over five centuries, and its precise origin in Persia remains uncertain. The bottle reveals high-fired kiln characteristics, including a brownish tint to the foot ring and slight waviness in the base, evident under varying light conditions, as well as signs of flaking in the biscuit, all of which attest to its age and authenticity. The six-character mark inscribed on the base further confirms its Chenghua provenance, a period renowned as the zenith of the doucai technique. This remarkable Ming dynasty bottle stands approximately 6.5 inches tall. ppjrs

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Significant Imperial Ming Dynasty Chenghua Mark and Period Doucai Meiping Dragon Vase 

Joseph.Sharon@chinesemasterpieces.com

This exquisite Chinese antique Doucai Three Dragons Meiping Vase exemplifies the artistry and craftsmanship of its time. The term "Doucai" refers to the contrasting colors employed in its creation, characterized by underglaze blue outlines that are masterfully filled with vivid enamel hues, all arranged in a whimsical yet harmonious style. The significance of this vase is underscored by its substantial size and the artist’s remarkable adeptness in achieving an almost perfect contrast of colors. The vase features intricate bands depicting Phoenixes, Dragons, and Flying Horses. Notably, the underglaze blue utilized in this piece is derived from the renowned imported cobalt known as Samali blue, which was meticulously blended with local pitang cobalt. This combination contributed to the Chenghua period’s reputation for producing some of the most exquisite cobalt blue in Chinese history, easily distinguishable from other cobalt variants used throughout various dynasties. It is noteworthy that Samali blue has not been imported for over 500 years, and its origins in Persia remain uncertain. The clay employed in the finest Doucai wares from the Imperial Chenghua Kiln exhibits a slightly off-white hue, reminiscent of bone. This characteristic is evident in the vase, which also displays typical firing marks, such as the brownish tones on the foot and ring, alongside flaking in the biscuit that attest to its age. Emblazoned on the shoulder of the vase is the six-character mark of the Chenghua period, a time recognized as the pinnacle of the Doucai technique. This vase's quality and craftsmanship firmly establish it in a category of its own. Contrary to some beliefs that no large Doucai wares were produced during the Chenghua period, this Meiping vase serves as definitive evidence to the contrary. This Ming Dynasty Chenghua Period Dragon Meiping Vase stands at an impressive height of approximately 19 inches.

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Imperial Blue and White Brush Washer from the Chenghua Period 
of the 15th Century Ming Dynasty 

Joseph.Sharon@chinesemasterpieces.com

This exquisite incised black-and-white brush washer from the Ming Dynasty, specifically the Chenghua period, exemplifies the artistry and craftsmanship of its time. The piece is intricately painted in a wave motif with detailed depictions of mythical creatures above the water’s surface, showcasing the high level of skill involved. The brush washer stands approximately 5 9/16 inches tall and is representative of the Chenghua period, which spanned from 1465 to 1487. Chenghua blue and white wares are among the most coveted porcelain produced in China, distinguished by the quality of cobalt used during this era. The cobalt, noted for its rich, blackish hue, differs from that of other periods due to the incorporation of imported Somali cobalt mixed with locally sourced pitang to prevent running—a notable concern during production. The refinement of cobalt during the Chenghua period resulted in exceptionally smooth glazes, devoid of the heaping and piling that frequently marred pieces from earlier periods. The imported cobalt originated from Persia, though its specific source remains unidentified. Since the conclusion of the Chenghua period over five centuries ago, no similar cobalt has been imported into China. Chenghua wares feature meticulously outlined designs, filled in with broad brush strokes that exhibit a relaxed, free style. The clay was more finely refined than in previous periods, and the use of high-temperature kilns often resulted in unglazed bottoms appearing burnt or mottled, while glazed bottoms may show waviness, also has flaking in the biscuit, further corroborating their age. A thorough examination reveals tiny, even bubbles within the glaze, observable with a loupe. The presence of flaking in the biscuit also attests to its historical significance. Thus, it is asserted that authentic Imperial blue and white Chenghua wares represent the pinnacle of porcelain craftsmanship.

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Significant Imperial Blue and White 15th Century Ming Dynasty Xuande Mark and Period Dish Featuring Birds and Floral Motifs 

Joseph.Sharon@chinesemasterpieces.com

Blue and White Dish from the 15th Century Ming Dynasty, Featuring Xuande Mark and Period Decoration with Birds and Floral Motifs. This exceptional piece has been meticulously adorned with gilt trim. It showcases imported samali blue cobalt, characterized by a distinctive blackish hue. Notably, the piling effect that disrupts the surface of the glaze reveals black spots or a silvery sheen, contrasting with the brown typically produced by local Chinese cobalt. This particular composition attests to its authenticity, as such cobalt has not been sourced for over 500 years. Additionally, the presence of flaking in the biscuit further substantiates the age of this remarkable artifact. The dish measures approximately 14 1/8 inches in diameter. ppjrs

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